Negative Language and Apophatic Knowledge in Nineteenth-Century Fantastic Literature

Q3 Arts and Humanities Genre Pub Date : 2023-12-01 DOI:10.1215/00166928-10779291
Irene Bulla
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Abstract

This article analyzes the rhetoric of nineteenth-century fantastic fiction in order to situate the genre within the intellectual tradition of apophatic, or self-negating, discourse. Through a reading of Fitz-James O'Brien's “What Was It? A Mystery” (1859) and Ambrose Bierce's “The Damned Thing” (1893), two short stories that feature the same kind of supernatural phenomenon (a material ghost), the essay argues that apophasis can be used as a key to understand not only the rhetorical fabric of the fantastic genre but also its tropes and themes and its larger epistemological preoccupations.
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十九世纪奇幻文学中的否定语言和启示知识
本文分析了十九世纪奇幻小说的修辞,以便将这一体裁置于启示性话语或自我否定话语的思想传统之中。通过对菲茨-詹姆斯-奥布莱恩(Fitz-James O'Brien)的《那是什么?A Mystery》(1859 年)和安布罗斯-比尔斯(Ambrose Bierce)的《The Damned Thing》(1893 年)这两篇短篇小说以同类超自然现象(物质鬼魂)为主题,文章认为 "apophasis "不仅可以作为理解奇幻体裁修辞结构的一把钥匙,还可以作为理解其套路和主题及其更广泛的认识论先入之见的一把钥匙。
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Genre Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
8
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