Literatura polska w oczach Chinki polonistki. Z Li Yinan rozmawiają Elżbieta Winiecka i Joanna Krenz

Joanna Krenz, Elżbieta Winiecka
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Abstract

The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
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一位波兰华裔女性眼中的波兰文学。维涅茨卡与克伦茨对话李一男
本文介绍了2012-2012年中国接受波兰文学的动态、特点和范式的转变。作者分析了最常被翻译和阅读的波兰作家在中国出版市场上受欢迎的原因,特别是Czesław Mił; osz、Olga Tokarczuk和Andrzej Sapkowski。她还介绍了翻译家,他们都是经验丰富、经常获得认可和奖励的中国波兰研究元老,以及那些来自中间和最年轻一代的翻译家,其中最年长的一代将通过文学建立跨文化对话的知识、技能、激情和共同使命感传递给了他们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
自引率
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发文量
17
审稿时长
14 weeks
期刊最新文献
Podróże z Hanną Szumańską-Grossową „Dobra reprodukcja obrazów”. „Dzieło” Émile’a Zoli w przekładach Aleksandry Callierowej i Hanny Szumańskiej-Grossowej Angielskie strofy i polska lutnia. O przekładach „Melodii hebrajskich” George’a Gordona Byrona pióra Antoniego Edwarda Odyńca Światopogląd jako styl. „Klucze Piotrowe” Rogera Peyrefitte’a w przekładzie Hanny Szumańskiej-Grossowej jako ogniwo tradycji Hanna Szumańska-Grossowa wspomina Konstantego Ildefonsa Gałczyńskiego
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