‘Photography’ (Kracauer 1927)

I. Aitken
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Abstract

This chapter is a close analysis of Kracauer’s 1927 essay ‘Photography’. In this essay, Kracauer regards photography as contributing towards the pervasive alienation within modernity, and he contrasts the photographic image with the ‘memory image, which contains substantial value. Nevertheless, the alienating photographic image can also reveal the nature of alienation, so has a positive potential. Kracauer also argues that the film image is less alienating than the photographic image because it can preserve more of the memory image
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本章是对克拉考尔1927年的论文《摄影》的详细分析。在这篇文章中,克拉考尔认为摄影有助于现代性中普遍存在的异化,并将摄影图像与包含实质性价值的“记忆图像”进行了对比。然而,异化的摄影影像也可以揭示异化的本质,因此具有积极的潜力。克拉考尔还认为,与摄影影像相比,胶片影像的疏离感更小,因为它能保留更多的记忆影像
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‘On the Phenomenology of the Creative Process’ (Lukács 1914) ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968) The Specificity of the Aesthetic (Lukács 1963) Bergson, the Image and Time ‘Photography’ (Kracauer 1927)
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