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Per sentiero e per foresta最新文献

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Del narratore e di altre figure nel ciclo di Nane Oca 小鹅周期中的叙述者和其他人物
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/003
Luciano Morbiato
The reading of the four novels that constitute the cycle of Nane Oca (1992-2019) allows to understand the fusion of story and tale realised by Giuliano Scabia: the fabulous adventures of the main character, Giovanni, alternate with the iteration of the opening scene where (through the character of Guido il Puliero) the process of narration starts. Listeners (and, in perspective, readers) join the narrator and gradually become collective authors, in the tradition of the folk storytelling.
通过阅读构成《奈恩·奥卡》(1992-2019)循环的四本小说,可以理解朱利亚诺·斯卡比亚实现的故事和故事的融合:主角乔瓦尼的神话般的冒险与开场场景的迭代交替进行(通过圭多·伊·普利罗的角色)叙事过程开始。在民间故事的传统中,听众(以及读者)加入叙述者,逐渐成为集体作者。
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引用次数: 1
Del teatro il fiore
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/010
Giuliano Scabia
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引用次数: 0
Rapsodia critica per Nane Oca e il suo autore 狂想曲对《小鹅》及其作者的批评
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/005
Ernestina Pellegrini
In the cycle of novels of Nane Oca, popular culture, folklore, visionary imagination and, at the same time, civic engagement are put together. This paper focuses on different features of the work and the author’s style, retracing the steps of a critical interest that dates back to the middle 1980s.
在奥卡的小说循环中,流行文化、民间传说、幻想,同时,公民参与被放在一起。本文侧重于作品的不同特征和作者的风格,追溯可追溯到20世纪80年代中期的关键兴趣的步骤。
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引用次数: 0
Note linguistiche sul ciclo di Nane Oca 关于南鹅周期的语言注释
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/004
D. Colussi
The essay focuses on the language of Nane Oca’s cycle of novels, studied in its evolution from the first book to the very recent Lato oscuro. Mainly, three aspects are taken into account: 1) literary entries; 2) syntactic patterns; 3) lexical compounds. The analysis of each aspect tries to show how in the language of Nane Oca forms derived from the literary tradition (used to give a characteristic epic tone to the work) are originally combined with completely new solutions. As the literary component decreases, the presence of the dialect, which Scabia uses more openly, becomes stronger over time.
本文主要研究小野渚小说的语言循环,研究其从第一部到最近的Lato oscuro的演变。主要考虑三个方面:1)文学作品;2)句法模式;3)复合词。对每一个方面的分析都试图表明,在南奥卡的语言中,源自文学传统的形式(用来赋予作品独特的史诗基调)最初是如何与全新的解决方案相结合的。随着文学成分的减少,斯卡比亚更公开使用的方言的存在随着时间的推移变得更强。
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引用次数: 0
I fili del racconto 故事的线索
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/008
L. Vallortigara
In the four novels of Nane Oca, Giuliano Scabia reflects on the archetypes that inhabit the deeper layers of the human culture and of his imagination. These images and patterns, such forest, love, adventure, immortality, logos, just to name a few, can be found in the narrative tetralogy as recurring motifs and themes, crafted into the stories of Pavano Antico; these universal images, then, turn out to be “parole cardinali” (‘keywords’), through which it is possible to explore and understand the literary text.
在纳恩·奥卡的四部小说中,朱利亚诺·斯卡比亚反思了栖息在人类文化和他的想象力更深层次的原型。这些图像和模式,如森林,爱情,冒险,不朽,标志,仅举几例,可以在叙事四部曲中发现,作为反复出现的主题和主题,被精心制作成帕瓦诺·安提科的故事;于是,这些普遍的意象就变成了“关键词”(parole cardinali),通过它们,我们有可能探索和理解文学文本。
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引用次数: 0
Per tre sorelle omozigote 三个同卵双胞胎
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/007
F. Fastelli
This essay proposes a reading of Il lato oscuro di Nane Oca that attempts to reflect on the interactive relationship between poetic word, visual image and sound. The narrative structure of the novel is in fact related to an ancient power of the art, as well as to share the experience in a community and admit the imagination in reality. In that sense, words, images and music constitute a unique medium that actually calls to mind the theatre.
本文拟通过对《我是一个黑暗的人》的解读,来反思诗歌文字、视觉形象和声音三者之间的互动关系。小说的叙事结构其实与一种古老的艺术力量有关,也与在共同体中分享经验、在现实中接纳想象有关。从这个意义上说,文字、图像和音乐构成了一种独特的媒介,实际上让人想起了剧院。
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引用次数: 0
«Una minestra riscaldata»? Il gioco della ricorsività nel ciclo di Nane Oca di Giuliano Scabia “热汤”?朱利亚诺·斯卡比亚的《南鹅》中的递归游戏
Pub Date : 2020-05-29 DOI: 10.30687/978-88-6969-420-2/006
A. Borghesi
References to proverbs and popular sayings occur over and over in Giuliano Scabia’s Nane Oca tetralogy, and several warn against repetitions and things which go on for too long. These passages provide an opportunity to analyse how Giuliano Scabia employs recursive patterns in his work, both inside the same novel and between different novels: a reasoned and structured use, sustained by the awareness that repetition plays a crucial role in aesthetic experience, which, for its part, is rooted in children’s games.
在朱利亚诺·斯卡比亚的《奥卡的名字》四部曲中,谚语和流行语一遍又一遍地出现,其中有几句对重复和冗长的内容提出了警告。这些段落提供了一个机会来分析朱利亚诺·斯卡比亚是如何在他的作品中使用递归模式的,无论是在同一部小说中还是在不同的小说之间:一种理性和结构化的使用,通过意识到重复在审美体验中起着至关重要的作用而得以维持,而这种作用就其本身而言,根植于儿童游戏。
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引用次数: 0
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Per sentiero e per foresta
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