{"title":"“We are going to our Portuguese homeland!”","authors":"Isabelle Simões Marques, Michele Koven","doi":"10.1075/bct.104.05sim","DOIUrl":"https://doi.org/10.1075/bct.104.05sim","url":null,"abstract":"","PeriodicalId":428705,"journal":{"name":"Storytelling in the Digital World","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122136584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“My life has changed forever!”","authors":"Camilla Vásquez","doi":"10.1075/bct.104.02vas","DOIUrl":"https://doi.org/10.1075/bct.104.02vas","url":null,"abstract":"","PeriodicalId":428705,"journal":{"name":"Storytelling in the Digital World","volume":"19 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120856355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
When stories (re)appear in YouTube videos, they are recontextualized not only by their titling and editing, but especially by chains of online comments. This article explores how a Northern Italian politician’s racialized story, which was first recontextualized by a TV news reporter on a YouTube video, is further recontextualized for different ends by commenters on that video. I show how these commenters negotiate and reframe the racial aspects of digital discourse and its sociocultural meanings through their various responses and across different temporal and spatial scales. By applying linguistic anthropological and sociolinguistic theories and narrative analytical tools to digital storytelling, this study emphasizes how racialized language is neither stable nor unidirectional, but is rather constantly negotiated discursively among various groups of virtual audience members. Besides investigating the pragmatics of narrative interaction in the digital realm, this article speaks to methodological challenges that surround the study of online storytelling.
{"title":"Recontextualizing racialized stories on YouTube","authors":"S. Perrino","doi":"10.1075/NI.27.2.04PER","DOIUrl":"https://doi.org/10.1075/NI.27.2.04PER","url":null,"abstract":"When stories (re)appear in YouTube videos, they are recontextualized not only by their titling and editing, but especially by chains of online comments. This article explores how a Northern Italian politician’s racialized story, which was first recontextualized by a TV news reporter on a YouTube video, is further recontextualized for different ends by commenters on that video. I show how these commenters negotiate and reframe the racial aspects of digital discourse and its sociocultural meanings through their various responses and across different temporal and spatial scales. By applying linguistic anthropological and sociolinguistic theories and narrative analytical tools to digital storytelling, this study emphasizes how racialized language is neither stable nor unidirectional, but is rather constantly negotiated discursively among various groups of virtual audience members. Besides investigating the pragmatics of narrative interaction in the digital realm, this article speaks to methodological challenges that surround the study of online storytelling.","PeriodicalId":428705,"journal":{"name":"Storytelling in the Digital World","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130687588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The retelling and sharing of stories is not a new phenomenon. Many narrative analysts have devoted research to these processes. But the culture of participation ( Jenkins 2006 ) in the digital world has brought sharing to a completely new level by allowing users not only to broadcast their opinions and evaluations of a story but also to reappropriate it and recontextualize it in infinite recursions. We focus on such process of transformation of a narrative in different media and social media outlets through the analysis of the viral spread of a story posted by an individual Twitter user in 2015. Specifically, we illustrate how participation frameworks change from one retelling to another and how the original story becomes "nested" into a new meta-story centered on the twitter user as a character and on the viral spread of the story.
{"title":"Online retellings and the viral transformation of a Twitter breakup story","authors":"A. De Fina, Brittany Toscano Gore","doi":"10.1075/NI.27.2.03DEF","DOIUrl":"https://doi.org/10.1075/NI.27.2.03DEF","url":null,"abstract":"The retelling and sharing of stories is not a new phenomenon. Many narrative analysts have devoted research to these processes. But the culture of participation ( Jenkins 2006 ) in the digital world has brought sharing to a completely new level by allowing users not only to broadcast their opinions and evaluations of a story but also to reappropriate it and recontextualize it in infinite recursions. We focus on such process of transformation of a narrative in different media and social media outlets through the analysis of the viral spread of a story posted by an individual Twitter user in 2015. Specifically, we illustrate how participation frameworks change from one retelling to another and how the original story becomes \"nested\" into a new meta-story centered on the twitter user as a character and on the viral spread of the story.","PeriodicalId":428705,"journal":{"name":"Storytelling in the Digital World","volume":"514 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134546022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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