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Journal of the Alamire Foundation最新文献

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Quhat is Faburdoun? 费伯敦是什么?
Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1484/j.jaf.5.128986
Timothy Braithwaite
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引用次数: 0
Josquin as Musical Exegete: The Four- Voice Motet In principio erat verbum Josquin作为音乐偶像:四声魔咒
Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1484/j.jaf.5.128985
Willem Elders
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引用次数: 0
Modus and Mensuration in Busnoys’s Missa L’homme armé Busnoys Missa武装人员的模式和测量
Q4 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127611
R. Carpentier
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引用次数: 0
Before Burgundy: Contexts and Cantus firmi in the Early L’homme armé Mass Tradition 勃艮第之前:语境与早期L’homme armé大众传统中的坚定旋律
Q4 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127612
Brett Kostrzewski
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引用次数: 0
Front Matter ("Table of Contents") 封面(“目录”)
Q4 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127926
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引用次数: 0
Recorder Use in Sacred Music during the Spanish Siglo de Oro: Archival Evidence, Historical Practices, and Applications in Performance 录音机在西班牙Siglo de Oro时期神圣音乐中的使用:档案证据、历史实践和在表演中的应用
Q4 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127615
Julia Miller
This article presents findings and conclusions from a recently completed Ph.D. project which researched the use of recorders in performing sacred music in Spanish cathedrals and churches during the sixteenth and early seventeenth centuries. This study also examined interactions of the historical findings with artistic questions arising in twenty-first-century performance of sacred music repertoire. Paradoxically, while numerous sets of recorders were purchased by ecclesiastic institutions during the sixteenth century, most contemporary compositions did not specifically call for their use. As well, surviving sixteenth- and early seventeenth-century documentation is highly fragmentary regarding the participatory role of recorders in sacred repertoire of this period. Scholarly research and writing had not addressed this issue, and many questions persisted regarding any role of recorders in this repertoire. Sacred music of this era offers the modern musician an extensive and rich potential repertoire of supreme quality and beauty. Therefore, in seeking an historically informed basis for performance, this project asked if recorders were used in such works in Spanish ecclesiastic institutions during the sixteenth and early seventeenth centuries, and, if so, how.
本文介绍了最近完成的一个博士项目的发现和结论,该项目研究了16世纪和17世纪初在西班牙大教堂和教堂中使用录音机演奏圣乐的情况。这项研究还考察了历史发现和21世纪神圣音乐曲目表演中出现的艺术问题之间的相互作用。矛盾的是,尽管16世纪教会机构购买了许多录音机,但大多数当代作品并没有特别要求使用它们。此外,幸存的16世纪和17世纪初的文献中,关于记录者在这一时期神圣曲目中的参与作用,也是非常零碎的。学术研究和写作并没有解决这个问题,许多关于录音机在这一曲目中的作用的问题仍然存在。这个时代的神圣音乐为现代音乐家提供了一个广泛而丰富的、具有最高质量和美感的潜在曲目。因此,在寻求一个历史上知情的表演基础时,该项目询问了十六世纪和十七世纪初西班牙教会机构是否在此类作品中使用了录音机,如果是,如何使用。
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引用次数: 0
The Three Requiem Masses by Palestrina: New Light on Some Doubtful Attributions 帕莱斯特里纳的三首安魂曲:对一些可疑归属的新认识
Q4 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127614
Riccardo Pintus
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引用次数: 0
Introduction 介绍
Q4 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127724
R. Carpentier, Brett Kostrzewski
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引用次数: 0
Introduction 介绍
Q4 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.1484/j.jaf.5.121873
G. McDonald
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引用次数: 0
Early Parody Masses, Their Composers, and the French Connection in Munich, Bayerische Staatsbibliothek, Musica Ms. F 早期戏仿大众,他们的作曲家,与法国的联系,慕尼黑,巴伐利亚国立图书馆,音乐
Q4 Arts and Humanities Pub Date : 2019-12-17 DOI: 10.1484/j.jaf.5.118981
Trudie G. Ranson
Munich, Bayerische Staatsbibliothek, Musica Ms. F [MunBS F] is significant for being one of the earliest surviving collections of parody masses, and for being the only manuscript in the Alamire com...
慕尼黑,Bayerische Staatsbibliothek,Musica Ms.F〔MunBS F〕是现存最早的戏仿大众收藏之一,也是Alamire com中唯一的手稿。。。
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引用次数: 0
期刊
Journal of the Alamire Foundation
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