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Location, Location 位置,位置
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-017
CD1 genes encode cell surface molecules that present lipid antigens to various kinds of T lymphocytes of the immune system. The structures of CD1 genes and molecules are like the major histocompatibility complex (MHC) class I system, the loading of antigen and the tissue distribution for CD1 molecules are like those in the class II system, and phylogenetic analyses place CD1 between class I and class II sequences, altogether leading to the notion that CD1 is a third ancient system of antigen presentation molecules. However, thus far, CD1 genes have only been described in mammals, birds and reptiles, leaving major questions as to their origin and evolution. In this review, we recount a little history of the field so far and then consider what has been learned about the structure and functional attributes of CD1 genes and molecules in marsupials, birds and reptiles. We describe the central conundrum of CD1 evolution, the genomic location of CD1 genes in the MHC and/or MHC paralogous regions in different animals, considering the three models of evolutionary history that have been proposed. We describe the natural killer (NK) receptors NKR-P1 and ligands, also found in different genomic locations for different animals. We discuss the con-sequence of these three models, one of which includes the repudiation of a guiding principle for the last 20 years, that two rounds of genome-wide duplication at the base of the vertebrates provided the extra MHC genes necessary for the emergence of adaptive immune system of jawed vertebrates.
CD1基因编码细胞表面分子,向免疫系统的各种T淋巴细胞呈递脂质抗原。CD1基因和分子的结构类似于主要组织相容性复合体(MHC) I类系统,抗原的负载和CD1分子的组织分布类似于II类系统,系统发育分析将CD1置于I类和II类序列之间,共同导致CD1是抗原呈递分子的第三个古老系统的概念。然而,到目前为止,CD1基因只在哺乳动物、鸟类和爬行动物中被描述过,留下了关于它们的起源和进化的主要问题。在这篇综述中,我们叙述了迄今为止该领域的一些历史,然后考虑了有袋动物、鸟类和爬行动物中CD1基因和分子的结构和功能属性。考虑到已经提出的三种进化历史模型,我们描述了CD1进化的核心难题,即CD1基因在不同动物MHC和/或MHC旁系区域的基因组位置。我们描述了自然杀伤(NK)受体nrr - p1和配体,也在不同动物的不同基因组位置发现。我们讨论了这三种模型的后果,其中之一包括对过去20年指导原则的否定,即脊椎动物基部的两轮全基因组复制为颌骨脊椎动物适应性免疫系统的出现提供了额外的MHC基因。
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引用次数: 11
Desktops 台式电脑
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-028
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引用次数: 0
Drawing with Words 用文字绘画
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-011
Hannah E. Smith
The following repon is an account of my growth and exploration as a painter. The project that was the springboard for this exploration was to create a series of paintings inspired by the fiction that I had previously written as a creative writing minor. J felt that writing could be used as a stimulus to create great paintings, and that painting and writing were perhaps more connected than I knew. I wished to pursue this connection through painting because I believed that it might be possible to capture many of the elements of a story on canvas. I looked to many artists for inspiration: Maxfield Parrish for the vibrancy of his colors, and his techniques incorporating photography; Lucian Freud for his ability to convey psychology through portrairure; Chuck Close because of the large format and directness of his paintings; Max Beckmann because of his strong sense of line; Chaim Somine for his looseness with paint and the figure; and N.C. Wyeth fOf his illustration work and sense of color. I have made several technical advancements and discoveries. I have come to realize how much I enjoy worldng with glazes and with optical blending. I have discovered that flat stenciling over modeled areas creates interesting spatial relationships while activating !.he surface. I have become more intuitive with how I gather information for my paintings, and I have found several ways to integrate photography into my creative process. I also explored the dividing line between fine art and illustration. It is my hope that unlike illustrations, which are designed to support a pre-existing text, my paintings are able to stand as works of art completely independent from the writing. Because of this project, I discovered many more connections between writing and painting than I had anticipated. I believe !.hat by studying this connection in depth, I have learned a great deal about myself as an individual and as an artist. I will continue to produce fine art in the future. In addition, I have developed a strong passion for illustration. and hope to one-day write and illustrate children's books.
下面的报告是我作为一个画家的成长和探索的叙述。这个项目是这次探索的跳板,是创作一系列的绘画,灵感来自于我之前作为创意写作辅修课程写的小说。我觉得写作可以作为一种刺激来创作伟大的画作,而绘画和写作可能比我所知道的更紧密地联系在一起。我希望通过绘画来追求这种联系,因为我相信在画布上捕捉故事的许多元素是可能的。我向许多艺术家寻求灵感:马克斯菲尔德·帕里什(Maxfield Parrish)的色彩活力,以及他结合摄影的技术;卢西安·弗洛伊德(Lucian Freud),因其通过肖像画传达心理学的能力;查克·克洛斯(Chuck Close),因为他的画作幅面大、直接;马克斯·贝克曼因为他强烈的线条感;批评索曼的绘画和人物的松散;和N.C.怀斯,以表彰他的插画作品和色彩感。我取得了几项技术进步和发现。我开始意识到我是多么喜欢用釉和光学混合的世界。我发现在模型区域上的平面模板在激活时创建了有趣的空间关系。他表面。对于如何为我的绘画收集信息,我变得更加直观,并且我找到了几种将摄影融入我的创作过程的方法。我还探索了美术和插图之间的分界线。我希望我的绘画不像插图那样是为了支持已有的文本而设计的,我的绘画能够作为完全独立于文字的艺术作品而存在。因为这个项目,我发现了很多写作和绘画之间的联系比我想象的要多。我相信!通过深入研究这种联系,我对自己作为一个个体和一个艺术家有了很大的了解。我将在未来继续制作精美的艺术品。此外,我对插画产生了强烈的热情。希望有一天能写儿童读物并配图。
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引用次数: 0
SPEECH BUBBLES 演讲泡沫
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-012
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引用次数: 1
The Skinny on Bad Parchment 坏羊皮纸上的瘦子
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-031
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引用次数: 1
Medieval Name Tags 中世纪姓名标签
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-024
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引用次数: 0
THE EMPTY PART OF THE PAGE 页面的空白部分
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-003
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引用次数: 0
SLIPS, STRIPS, AND SCRAPS: 小片、条和碎片:
Pub Date : 2018-10-31 DOI: 10.2307/j.ctvg251fm.32
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引用次数: 0
Posters Before Print 印刷前的海报
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-025
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引用次数: 0
DRESSING UP THE MANUSCRIPT 修改手稿
Pub Date : 2018-10-31 DOI: 10.5040/9781641899543.ch-007
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引用次数: 0
期刊
Books Before Print
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