This review article discusses how Alain-Philippe Durand’s recent edited book about Francophone hip-hop gathers a plurality of voices and disciplinary approaches on hip-hop worlds, and offers thoughtful insights with regards to a number of issues often raised about hip-hop—related to race, migration or institutionalization of countercultural forms over different spaces of the French-speaking Atlantic—but also regarding the field of hip-hop studies itself. I address two main lines of discussion opened by the book and that could deserve further discussion in light of the current literature on hip-hop in the Francophone area. The first one is related to the contrasts and oppositions perceptible at the reading of this collection of papers, about the meaning of making hip-hop studies in a context of imagination of hip-hop as a “resistant” and countercultural form. The second is the issue of racial politics, imaginaries and identifications exchanged over the Atlantic space, and the role of Africa as an imagined or real land of reference in the construction of identities, art forms, ideologies and discourses in Francophone hip-hop worlds. I finally defend how the book’s rich reflections raise many questions and future possibilities, both for the field of hip-hop studies and beyond.
{"title":"Francophone Hip-hop Studies and Its Discontents","authors":"Alice Aterianus-Owanga","doi":"10.1558/jwpm.23064","DOIUrl":"https://doi.org/10.1558/jwpm.23064","url":null,"abstract":"This review article discusses how Alain-Philippe Durand’s recent edited book about Francophone hip-hop gathers a plurality of voices and disciplinary approaches on hip-hop worlds, and offers thoughtful insights with regards to a number of issues often raised about hip-hop—related to race, migration or institutionalization of countercultural forms over different spaces of the French-speaking Atlantic—but also regarding the field of hip-hop studies itself. I address two main lines of discussion opened by the book and that could deserve further discussion in light of the current literature on hip-hop in the Francophone area. The first one is related to the contrasts and oppositions perceptible at the reading of this collection of papers, about the meaning of making hip-hop studies in a context of imagination of hip-hop as a “resistant” and countercultural form. The second is the issue of racial politics, imaginaries and identifications exchanged over the Atlantic space, and the role of Africa as an imagined or real land of reference in the construction of identities, art forms, ideologies and discourses in Francophone hip-hop worlds. I finally defend how the book’s rich reflections raise many questions and future possibilities, both for the field of hip-hop studies and beyond.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44557417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editors’ Introduction","authors":"Simone Krüger Bridge, J. Stock","doi":"10.1558/jwpm.21546","DOIUrl":"https://doi.org/10.1558/jwpm.21546","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41948622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sound Ties, ‘Rising from the Depths of Brine and Regions of Fire Deeper Still’: Knowing through Popular Music in the Western Pacific Island World","authors":"Birgit Abels","doi":"10.1558/jwpm.20197","DOIUrl":"https://doi.org/10.1558/jwpm.20197","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45296862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rebels Without a Cause? Polish Rock and Metal Music After 1989","authors":"Andrzej Mądro","doi":"10.1558/jwpm.17253","DOIUrl":"https://doi.org/10.1558/jwpm.17253","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45698974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field].","authors":"Alexandra Balandina","doi":"10.1558/jwpm.19815","DOIUrl":"https://doi.org/10.1558/jwpm.19815","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47105655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes.","authors":"Manuela Belén Calvo","doi":"10.1558/jwpm.21095","DOIUrl":"https://doi.org/10.1558/jwpm.21095","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42579396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music.","authors":"N. Ahmadian","doi":"10.1558/jwpm.19682","DOIUrl":"https://doi.org/10.1558/jwpm.19682","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48109004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique","authors":"David Verbuč","doi":"10.1558/jwpm.41162","DOIUrl":"https://doi.org/10.1558/jwpm.41162","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43045239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“suh won’t we step inna hxr class”: journal entry feat. d’bi young anitafrika","authors":"C. Oliver","doi":"10.1558/jwpm.43086","DOIUrl":"https://doi.org/10.1558/jwpm.43086","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43005434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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