Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0018
Noël Carroll
This chapter reviews he problem of and one possible solution for creating a post modern, dogma dance film.
这一章回顾了这个问题和一个可能的解决方案，创造一个后现代的，教条的舞蹈电影。
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Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0017
Noël Carroll
This chapter examines three issues. First, the question of the nature of movie music. Second the issue of whether there is an implicit musical organizer with respect to the non-diegetic music track. And third, Peter Kivy’s hypothesis that the music track “fills-out” the otherwise “ghostly” visual track.
{"title":"Three Problems in the Philosophy of Movie Music","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0017","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0017","url":null,"abstract":"This chapter examines three issues. First, the question of the nature of movie music. Second the issue of whether there is an implicit musical organizer with respect to the non-diegetic music track. And third, Peter Kivy’s hypothesis that the music track “fills-out” the otherwise “ghostly” visual track.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80251790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0010
Noël Carroll
This chapter engages the question of how fictions can change the moral feelings of spectators. Fictions, of course, can activate and reinforce existing emotions. But given that function, how can they also change sentiments, especially moral sentiments? This chapter attempts to partially answer that question by explaining how imagery of the family can be a powerful rhetorical lever for altering affective commitments. The novel Uncle Tom’s Cabin and the movie Philadelphia are introduced as primary examples of this process.
{"title":"Moral Change","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0010","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0010","url":null,"abstract":"This chapter engages the question of how fictions can change the moral feelings of spectators. Fictions, of course, can activate and reinforce existing emotions. But given that function, how can they also change sentiments, especially moral sentiments? This chapter attempts to partially answer that question by explaining how imagery of the family can be a powerful rhetorical lever for altering affective commitments. The novel Uncle Tom’s Cabin and the movie Philadelphia are introduced as primary examples of this process.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83698916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0013
Noël Carroll
This chapter treats Alfred Hitchcock’s masterpiece Vertigo as a contribution to the philosophy of romantic love, including, among other things, consideration of its ethical dimensions.
本章将阿尔弗雷德·希区柯克的杰作《迷魂记》视为对浪漫爱情哲学的贡献，其中包括对其伦理维度的思考。
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Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0012
Noël Carroll
This chapter is an interpretation of Pedro Almodovar’s film Talk to Her which argues that the movie provides viewers with the opportunity to reflect upon their ethical assumptions in a way that undermines some of their ingrained associations. In this regard, it is argued that the film, insofar as it is potentially morally educative, is also a positive ethical achievement.
{"title":"Talk to Her","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0012","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0012","url":null,"abstract":"This chapter is an interpretation of Pedro Almodovar’s film Talk to Her which argues that the movie provides viewers with the opportunity to reflect upon their ethical assumptions in a way that undermines some of their ingrained associations. In this regard, it is argued that the film, insofar as it is potentially morally educative, is also a positive ethical achievement.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"74 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85603029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0009
Noël Carroll
This chapter contrasts the cognitive approach to the way movies engage audiences psychologically with the dominant approaches in cinema studies especially in terms of cognitivism’s account of the emotions in general and the moral emotions in particular.
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Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0002
Noël Carroll
This chapter reviews the traditional notion of medium specificity and its relevance to evaluation, along with recent revivals of the thesis in the work of Berys Gaut and Dominic Lopes. The chapter criticizes various versions of the medium specificity thesis – both past and present -- and offers an alternative approach to the evaluation of moving images.
{"title":"The Return of Medium Specificity Claims and the Evaluation of the Moving Image","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0002","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0002","url":null,"abstract":"This chapter reviews the traditional notion of medium specificity and its relevance to evaluation, along with recent revivals of the thesis in the work of Berys Gaut and Dominic Lopes. The chapter criticizes various versions of the medium specificity thesis – both past and present -- and offers an alternative approach to the evaluation of moving images.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78529312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0015
Noël Carroll
This chapter examines the evolution of Yvonne Rainer’s interrogation of the everyday from her practice as a choreographer to her practice as a film maker where embrace of the doctrine that the “personal is political” becomes her dominant theme, making her perhaps the leading avant-garde, feminist auteur.
{"title":"Yvonne Rainer and the Recuperation of Everyday Life","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0015","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0015","url":null,"abstract":"This chapter examines the evolution of Yvonne Rainer’s interrogation of the everyday from her practice as a choreographer to her practice as a film maker where embrace of the doctrine that the “personal is political” becomes her dominant theme, making her perhaps the leading avant-garde, feminist auteur.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"270 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72401091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0014
Noël Carroll
This chapter examines the 1968 film as an intuition pump designed to potentially move audiences toward a positive attitude toward civil rights by allegorically projecting racial relations in terms of the unjust ape-to-human relations portrayed in the movie.
{"title":"Science Fiction, Philosophy, and Politics","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0014","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0014","url":null,"abstract":"This chapter examines the 1968 film as an intuition pump designed to potentially move audiences toward a positive attitude toward civil rights by allegorically projecting racial relations in terms of the unjust ape-to-human relations portrayed in the movie.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78943023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-19DOI: 10.1093/oso/9780190683306.003.0016
Noël Carroll
The chapter examines the comedy of Amy Schumer on video and film from the perspectives of Freudian psychoanalysis and the incongruity theory of comic amusement and concludes that one feature of the latter theory that is superior to the former theory is that it accommodates what is feminist in Schumer’s oeuvre to a greater extent than does psychoanalysis.
{"title":"Amy Schumer or the Incongruities","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0016","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0016","url":null,"abstract":"The chapter examines the comedy of Amy Schumer on video and film from the perspectives of Freudian psychoanalysis and the incongruity theory of comic amusement and concludes that one feature of the latter theory that is superior to the former theory is that it accommodates what is feminist in Schumer’s oeuvre to a greater extent than does psychoanalysis.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74276398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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