Pub Date : 2023-01-01DOI: 10.5040/9781350346437.0010
Michael S. Roberts
The Latin poetry of late antiquity is at the heart of A Late Latin Poetics? The Jeweled Style Revisited, and the volume aims to develop, complement and challenge Michael Roberts’s highly influential concept of The Jeweled Style (1989). In its first part, it examines how the concept of the jeweled style applies to poetry outside the late antique Roman West including imperial poetry in Latin and Greek as well as late antique prose. Scholars in this section also clarify specific aspects of the jeweled style, for example enumeration, unity or use of the phrase before Michael Roberts’s monograph. All of these studies understand the jeweled style as a set of formal features not limited to late antique literature. In the second part, experts of late antiquity interpret the jeweled style in its late antique context, drawing connections to Christian praise, homiletics, architectural ecphrasis, epigrams and centos. Furthermore, in this section, the jeweled style is contextualised within contemporary scholarly discourses such as exegesis or Neoplatonism. Throughout the volume, scholars suggest new ways of engaging with the jeweled style. Crucial to these approaches, and to the appeal of the volume, are analyses that integrate the last thirty years of scholarship on the concept while pursuing new methodologies and applications, extending the jeweled style to new genres, geographic regions and time periods.
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Pub Date : 2023-01-01DOI: 10.5040/9781350321328.ch-002
{"title":"The great dance","authors":"","doi":"10.5040/9781350321328.ch-002","DOIUrl":"https://doi.org/10.5040/9781350321328.ch-002","url":null,"abstract":"","PeriodicalId":65360,"journal":{"name":"东吴学术","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147897061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5040/9781350275256.ch-10
Alessandra Rizzo
This study is set within the context of extensive academic attention to and exploration of audio and visual data as resources, methods and practices in the Digital Humanities (henceforth DH) (Gallitelli 2016). DH are seen and understood as a large and heterogeneous container that accommodates different research areas and affects various media. It is a relatively young field of study, inextricably linked to the development of information technologies within which the audiovisual dimension plays a central role. Audiovisual texts as forms of knowing, learning and entertaining have recently achieved a strategic position in the field of DH alongside current advances in computing. The digital access to audiovisual materials such as media communication and the visual arts has favoured the dissemination of digitalized audiovisual collections through for- and/or non-profit platforms, thereby enabling the circulation of audiovisual materials online. For the purpose of this research, a Corpus of Police Procedurals has been compiled. It is an English–Italian parallel corpus including three episodes of contemporary police procedurals which contains, on the one hand, a transcript of source dialogues (English original) and its Italian subtitles and, on the other hand, the Netflix subtitles (English and Italian as language pairs). The three episodes belong to three different TV police crime dramas set in different geographical areas: the Icelandic The Valhalla Murders (henceforth TVM) (RÚV 2019, Netflix, BBC Four 2020), the Finnish Deadwind (originally Karppi, Yle TV2 2018, Netflix 2020) and the English Luther (BBC One 2010; Fox Crime, Netflix 2011). Against the backdrop of the phenomenon of digitalization of crime drama series in different languages through AVT, this study sheds light on the language employed in the interlingual translation of Netflix English, Icelandic and Finnish crime drama series into Italian, and on any possible act of domestication.
这项研究是在广泛的学术关注和探索视听数据作为数字人文学科（以下简称DH）的资源、方法和实践的背景下进行的（Gallitelli 2016）。DH被看作是一个巨大的异构容器，可以容纳不同的研究领域，影响各种媒体。这是一个相对年轻的研究领域，与视听方面起着中心作用的信息技术的发展有着千丝万缕的联系。视听文本作为一种认知、学习和娱乐的形式，最近在计算机领域取得了战略地位。媒体传播和视觉艺术等视听材料的数字化获取有利于通过非营利性和/或非营利平台传播数字化视听收藏，从而使视听材料能够在网上流通。为了进行这项研究，编制了一份《警察程序汇编》。这是一个英意平行语料库，包括三集当代警察程序，其中一方面包含源对话（英语原文）及其意大利语字幕，另一方面包含Netflix字幕（英语和意大利语作为语言对）。这三集属于三个不同的电视警察犯罪剧，设定在不同的地理区域：冰岛的瓦尔哈拉谋杀（以下为TVM） （RÚV 2019, Netflix, BBC Four 2020），芬兰的Deadwind（原Karppi， Yle TV2 2018, Netflix 2020）和英国的Luther （BBC One 2010; Fox crime, Netflix 2011）。在不同语言的犯罪剧通过AVT进行数字化的背景下，本研究揭示了Netflix英语、冰岛语和芬兰语犯罪剧翻译成意大利语时所使用的语言，以及可能的归化行为。
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