Pub Date : 2024-07-01DOI: 10.25136/2409-8698.2024.7.71207
Aleksandr Igorevich Petrenko
The article is devoted to the study of features of Kawabata Yasunari's idiostyle in the novel "Snow Country". The subject of description and interpretation are different-level linguistic resources and stylistic means of expression, which serve to verbalize the central artistic idea (artistic hyperconcept), create the image system of the work and participate in the formation of the writer's individual style. The purpose of the study is to identify those author's methods of verbalization of the central artistic idea, which are associated with the representation of the images of the main characters of the work, Shimamura and Komako, correlated and contrasted in the figurative structure of the novel. The initial hypothesis is the idea that the images of the main characters, along with the image of the Milky Way, are part of the complex artistic and figurative structure of the work, embodying the hyperconcept of loneliness as an inability to love. The methodology of the study is determined by contextual, component and conceptual analysis. As the main method of linguistic research in the work is used linguistic-stylistic with the use of semantic-stylistic analysis techniques and the method of "word-image". The novelty of the study lies in addressing a little-studied aspect of the study of the writer's creativity. As a result of the research, the lexical, grammatical (morphological and syntactic) and stylistic, as well as textual means of representation of the images of the main characters, their role in the formation of the author's idiostyle were established. The core image that links all of the above is the image of the male character, Shimamura. It seems promising to apply the obtained results in further study of Kawabata Yasunari's idiostyle on the material of his other works.
{"title":"Linguistic methods of representing the images of the main characters in Kawabata Yasunari’s novel “Snow Country”","authors":"Aleksandr Igorevich Petrenko","doi":"10.25136/2409-8698.2024.7.71207","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.7.71207","url":null,"abstract":"\u0000 The article is devoted to the study of features of Kawabata Yasunari's idiostyle in the novel \"Snow Country\". The subject of description and interpretation are different-level linguistic resources and stylistic means of expression, which serve to verbalize the central artistic idea (artistic hyperconcept), create the image system of the work and participate in the formation of the writer's individual style. The purpose of the study is to identify those author's methods of verbalization of the central artistic idea, which are associated with the representation of the images of the main characters of the work, Shimamura and Komako, correlated and contrasted in the figurative structure of the novel. The initial hypothesis is the idea that the images of the main characters, along with the image of the Milky Way, are part of the complex artistic and figurative structure of the work, embodying the hyperconcept of loneliness as an inability to love. The methodology of the study is determined by contextual, component and conceptual analysis. As the main method of linguistic research in the work is used linguistic-stylistic with the use of semantic-stylistic analysis techniques and the method of \"word-image\". The novelty of the study lies in addressing a little-studied aspect of the study of the writer's creativity. As a result of the research, the lexical, grammatical (morphological and syntactic) and stylistic, as well as textual means of representation of the images of the main characters, their role in the formation of the author's idiostyle were established. The core image that links all of the above is the image of the male character, Shimamura. It seems promising to apply the obtained results in further study of Kawabata Yasunari's idiostyle on the material of his other works.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"49 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141696892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.25136/2409-8698.2024.7.71186
Dannuo Song
The article is devoted to the comparison of the images of the characters of Xue Baochai in Cao Xueqin's novel "The Dream in the Red Chamber" and Marya Bolkonskaya in Leo Tolstoy's epic "War and Peace". In Cao Xueqin's novel, a full-fledged image of Xue Baochai was created as the "ideal woman" in relation to traditional society. In the novel by L. N. Tolstoy, among a number of female images, the essence of which is revealed through the "dialectic of the soul", Marya Bolkonskaya is a woman with a kind heart and strong religious beliefs. To date, there have been no attempts in literary studies to compare the formation of a female characters in Russian and Chinese literature. It seems possible to compare two female characters in terms of their appearance and psychological traits, the philosophical ideas of the authors, as well as to identify the problem of the influence of the historical period in which the characters live. When writing the article, the method of comparative analysis was used, this allowed to identify the common and special in literary works. Using this method, similar life paths of the characters of the novels and different ways of depicting them were revealed. The novelty of the research lies in an attempt to compare the images of the characters of two literary masterpieces describing different eras and countries. The main conclusions of the author of the article are as follows: Cao Xueqin, who was influenced by traditional Chinese ideas, created a complex and tragic image of Xue Baochai and revealed the nature of the position of a woman within the framework of feudal social relations; L. N. Tolstoy, in the process of creating the image of Mary Bolkonskaya, followed Christian ideals, endowing the character with virtues; Due to the difference of the authors' life experiences and ideological views, as well as the socio-economic conditions of their formation and development, the fates of the characters of their works also differ.
{"title":"Xue Baochai and Marya Bolkonskaya: a comparative analysis of the characters of the novels of Cao Xueqin and Leo Tolstoy","authors":"Dannuo Song","doi":"10.25136/2409-8698.2024.7.71186","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.7.71186","url":null,"abstract":"\u0000 The article is devoted to the comparison of the images of the characters of Xue Baochai in Cao Xueqin's novel \"The Dream in the Red Chamber\" and Marya Bolkonskaya in Leo Tolstoy's epic \"War and Peace\". In Cao Xueqin's novel, a full-fledged image of Xue Baochai was created as the \"ideal woman\" in relation to traditional society. In the novel by L. N. Tolstoy, among a number of female images, the essence of which is revealed through the \"dialectic of the soul\", Marya Bolkonskaya is a woman with a kind heart and strong religious beliefs. To date, there have been no attempts in literary studies to compare the formation of a female characters in Russian and Chinese literature. It seems possible to compare two female characters in terms of their appearance and psychological traits, the philosophical ideas of the authors, as well as to identify the problem of the influence of the historical period in which the characters live. When writing the article, the method of comparative analysis was used, this allowed to identify the common and special in literary works. Using this method, similar life paths of the characters of the novels and different ways of depicting them were revealed. The novelty of the research lies in an attempt to compare the images of the characters of two literary masterpieces describing different eras and countries. The main conclusions of the author of the article are as follows: Cao Xueqin, who was influenced by traditional Chinese ideas, created a complex and tragic image of Xue Baochai and revealed the nature of the position of a woman within the framework of feudal social relations; L. N. Tolstoy, in the process of creating the image of Mary Bolkonskaya, followed Christian ideals, endowing the character with virtues; Due to the difference of the authors' life experiences and ideological views, as well as the socio-economic conditions of their formation and development, the fates of the characters of their works also differ.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"202 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141692663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.25136/2409-8698.2024.7.71110
Elina Gegamovna Arutiunian, Anna Vitalievna Baichik, Igor Nikolaevich Blochin, David Vladimirovich Petrosyan
The media space is the most dynamic and rapidly developing not only technological, but also economic, cultural, social and political phenomenon of our time, and new communication channels are being formed in the global digital network. The purpose of the article is to analyze new media as a subject of the political process. The subject is new media, and the object is the cultural and political identification of an individual in new media. The novelty of the work lies in the fact that new media are an innovative and extremely important tool in determining cultural and political identity. Countries belong to the same civilization, which means that their culture is based on identical values – this is of fundamental importance, since the effectiveness of the imposed system of values and norms can be realized in a particular country only if the tasks being disseminated are consonant with the values of society. Conceptual, phenomenological and sociolinguistic analysis, the method of system analysis, and the historical and cultural method were used as methods and approaches. As a result of a comprehensive analysis, the following conclusions were drawn: the disseminated values can be effective only if they are in tune with the civilizational model of the region, and on the contrary, the imposed foundations will not effectively affect society if they contradict its civilizational identification and cultural and political affiliation. The actions of an individual and society as a whole are determined by his self-identification, therefore, a political course can be effective in a particular country if the tasks being implemented are consonant with the values of society. This study may be useful for researchers studying communication in the digital environment, the impact of new media on the agenda, the realization of political goals through online media, as well as for international journalists, diplomats, political scientists and media researchers when writing analytical materials on topics related to the working concepts of the current study.
{"title":"New media as a subject of political communication","authors":"Elina Gegamovna Arutiunian, Anna Vitalievna Baichik, Igor Nikolaevich Blochin, David Vladimirovich Petrosyan","doi":"10.25136/2409-8698.2024.7.71110","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.7.71110","url":null,"abstract":"\u0000 The media space is the most dynamic and rapidly developing not only technological, but also economic, cultural, social and political phenomenon of our time, and new communication channels are being formed in the global digital network. The purpose of the article is to analyze new media as a subject of the political process. The subject is new media, and the object is the cultural and political identification of an individual in new media. The novelty of the work lies in the fact that new media are an innovative and extremely important tool in determining cultural and political identity. Countries belong to the same civilization, which means that their culture is based on identical values – this is of fundamental importance, since the effectiveness of the imposed system of values and norms can be realized in a particular country only if the tasks being disseminated are consonant with the values of society. Conceptual, phenomenological and sociolinguistic analysis, the method of system analysis, and the historical and cultural method were used as methods and approaches. As a result of a comprehensive analysis, the following conclusions were drawn: the disseminated values can be effective only if they are in tune with the civilizational model of the region, and on the contrary, the imposed foundations will not effectively affect society if they contradict its civilizational identification and cultural and political affiliation. The actions of an individual and society as a whole are determined by his self-identification, therefore, a political course can be effective in a particular country if the tasks being implemented are consonant with the values of society. This study may be useful for researchers studying communication in the digital environment, the impact of new media on the agenda, the realization of political goals through online media, as well as for international journalists, diplomats, political scientists and media researchers when writing analytical materials on topics related to the working concepts of the current study.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"13 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141715165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.25136/2409-8698.2024.7.71171
Yawen Zhang
This article is devoted to study the duel in the novel "The Captain's Daughter" by A. S. Pushkin. It’s aimed at revealing the artistic function of the duel episode between Grinev and Shvabrin (in the 3rd and 4th chapters of the novel). "The Captain's Daughter" as one of the Pushkin’s most significant works is always the focus of attention in domestic and foreign science, however, so far there have been few specialized researches devoted to the ideological and semantic content of the duel in the novel. The concept of this article is based on the understanding that Pushkin's historicism not only denotes an accurate recreation of the past, but also often reflects the writer's comprehension of the present – this is the direct theoretical prerequisite which allows the double interpretation of the duel in the novel. The methodology is based on the work analysis with consideration of literary, historical, biographical contexts, and the main methods are cultural-historical, sociological, hermeneutic, and axiological. The author concludes that Pushkin in the novel "The Captain's Daughter" not only recreates the situation of a provincial duel during the Pugachev’s Rebellion, but also describes another circumstance that he concerns about – the moral crisis of Russain nobility in the 1830s, and Grinev’s behavior contains the writer's sincere call for honor. The scientific novelty of this research is determined by the new approach to the subject: double interpretation of the meaning of the duel between Grinev and Shvabrin is undertaken for the first time, and honor is considered as a key concept which allows to connect history and modernity in the Pushkin’s novel. Thus, the study makes a significant contribution to study the artistic function of the duel in the novel "The Captain's Daughter" and extends the understanding of A. S. Pushkin's artistic world.
{"title":"The duel in the novel \"The Captain's Daughter\" by A. S. Pushkin","authors":"Yawen Zhang","doi":"10.25136/2409-8698.2024.7.71171","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.7.71171","url":null,"abstract":"\u0000 This article is devoted to study the duel in the novel \"The Captain's Daughter\" by A. S. Pushkin. It’s aimed at revealing the artistic function of the duel episode between Grinev and Shvabrin (in the 3rd and 4th chapters of the novel). \"The Captain's Daughter\" as one of the Pushkin’s most significant works is always the focus of attention in domestic and foreign science, however, so far there have been few specialized researches devoted to the ideological and semantic content of the duel in the novel. The concept of this article is based on the understanding that Pushkin's historicism not only denotes an accurate recreation of the past, but also often reflects the writer's comprehension of the present – this is the direct theoretical prerequisite which allows the double interpretation of the duel in the novel. The methodology is based on the work analysis with consideration of literary, historical, biographical contexts, and the main methods are cultural-historical, sociological, hermeneutic, and axiological. The author concludes that Pushkin in the novel \"The Captain's Daughter\" not only recreates the situation of a provincial duel during the Pugachev’s Rebellion, but also describes another circumstance that he concerns about – the moral crisis of Russain nobility in the 1830s, and Grinev’s behavior contains the writer's sincere call for honor. The scientific novelty of this research is determined by the new approach to the subject: double interpretation of the meaning of the duel between Grinev and Shvabrin is undertaken for the first time, and honor is considered as a key concept which allows to connect history and modernity in the Pushkin’s novel. Thus, the study makes a significant contribution to study the artistic function of the duel in the novel \"The Captain's Daughter\" and extends the understanding of A. S. Pushkin's artistic world.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"4 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141701505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.25136/2409-8698.2024.7.71219
Grigorii Leonidovich Akopov, Elina Gegamovna Arutiunian, Lyudmila Petrovna Gromova, David Vladimirovich Petrosyan
The purpose of the article is to analyze the emergence and stages of development of the phenomenon of "cancellation culture". The subject is the formation of a concept, and the object is the modification of the "culture of cancellation" in the context of socio-cultural and political events. The novelty of the work lies in the substantiation of the concept of "culture of cancellation" from the perspective of Russian discourse. The authors study the "abolition" of an entire country and its culture on the example of Russia, as a result of which the ways of ousting the country from international discourse and the consequences of this act were revealed. The concept of "cancellation culture" is firmly fixed in the language resource of modern journalists and media analysts, this vocabulary unit activates a significant interest in in-depth research in domestic and foreign discourse. The "culture of abolition" as a phenomenon arose in the public environment of the United States and Europe at the turn of the twentieth and twenty-first centuries as an instrument of social justice, which is presented as a modern form of ostracism that allows manipulating public opinion. Conceptual analysis, sociolinguistic analysis and intent analysis were used as methods and approaches in the research. The concept of "culture of cancellation" can be considered as a tool for manipulating society, in this case, the process of deformation by the conceptual sphere of the ethnocultural dominant of the subject or society as a whole is analyzed. Similar phenomena are observed in the examples of ethnocultural groups, when certain events occur in the surrounding reality that affect the consciousness of the subject. Negative facts have an impact on a person, erasing established principles and values from consciousness, in the structure of social relations. Scientists have revealed that, under these circumstances, the concept, as an instrument of influence, is transmitted using information received by a certain ethnocultural group. In the study, we also established that a concept is an algorithm for understanding certain cultures, for example, psychological, historical, cultural, logical–semantic, linguistic, etc. In this regard, the "culture of cancellation" as a concept is a process in which certain ideas arise, which are formed against the background of events in the information and social environment and society. The process of "cancellation culture" is rapidly spreading not only within a single country to achieve certain goals, but also throughout the modern world.
{"title":"The socio-cultural dimension of the \"culture of cancellation\" as a phenomenon of the XXI century","authors":"Grigorii Leonidovich Akopov, Elina Gegamovna Arutiunian, Lyudmila Petrovna Gromova, David Vladimirovich Petrosyan","doi":"10.25136/2409-8698.2024.7.71219","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.7.71219","url":null,"abstract":"\u0000 The purpose of the article is to analyze the emergence and stages of development of the phenomenon of \"cancellation culture\". The subject is the formation of a concept, and the object is the modification of the \"culture of cancellation\" in the context of socio-cultural and political events. The novelty of the work lies in the substantiation of the concept of \"culture of cancellation\" from the perspective of Russian discourse. The authors study the \"abolition\" of an entire country and its culture on the example of Russia, as a result of which the ways of ousting the country from international discourse and the consequences of this act were revealed. The concept of \"cancellation culture\" is firmly fixed in the language resource of modern journalists and media analysts, this vocabulary unit activates a significant interest in in-depth research in domestic and foreign discourse. The \"culture of abolition\" as a phenomenon arose in the public environment of the United States and Europe at the turn of the twentieth and twenty-first centuries as an instrument of social justice, which is presented as a modern form of ostracism that allows manipulating public opinion. Conceptual analysis, sociolinguistic analysis and intent analysis were used as methods and approaches in the research. The concept of \"culture of cancellation\" can be considered as a tool for manipulating society, in this case, the process of deformation by the conceptual sphere of the ethnocultural dominant of the subject or society as a whole is analyzed. Similar phenomena are observed in the examples of ethnocultural groups, when certain events occur in the surrounding reality that affect the consciousness of the subject. Negative facts have an impact on a person, erasing established principles and values from consciousness, in the structure of social relations. Scientists have revealed that, under these circumstances, the concept, as an instrument of influence, is transmitted using information received by a certain ethnocultural group. In the study, we also established that a concept is an algorithm for understanding certain cultures, for example, psychological, historical, cultural, logical–semantic, linguistic, etc. In this regard, the \"culture of cancellation\" as a concept is a process in which certain ideas arise, which are formed against the background of events in the information and social environment and society. The process of \"cancellation culture\" is rapidly spreading not only within a single country to achieve certain goals, but also throughout the modern world.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"244 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141711538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70966
Xiaoran Fang
This article is devoted to the study of the phenomenon of carnivalization in N.V. Gogol's novella "Nevsky Prospekt". The paper analyzes the key manifestations of carnivalization in the story, such as the creation of a game atmosphere, blurring the boundaries between the real and the fantastic, the metamorphoses of the characters, the use of the grotesque and the combination of the comic with the tragic. Special attention is paid to the image of Nevsky Prospekt as a carnivalized space where various social strata, masks and roles are mixed. The article also examines the parallel storylines of Lieutenant Pirogov and the artist Piskarev. The study demonstrates how Gogol masterfully uses elements of carnivalization to create a multifaceted and ambivalent picture of life in which the high and the low, the tragic and the comic combine and interact with each other. Along with general scientific methods of analysis, synthesis and generalization, descriptive and comparative methods are used in the work. The scientific novelty of this work lies in the consideration of the death scene of the protagonist of the story by the artist Piskarev, in the aspect of the theory of carnival. According to the results of the study, it was found that in the story "Nevsky Prospekt" the key features of carnivalization are vividly manifested: the creation of a playful, festive atmosphere in a specific space of Nevsky Prospekt; the erasure of hierarchical and social differences between the characters; the intertwining of the illusory and real worlds; the use of grotesque images and the combination of the ridiculous with the tragic. Special attention is paid to the analysis of Piskarev's suicide scene, which is considered as the culmination of a carnival action, where the tragic event acquires an ambivalent character and becomes a kind of symbol of the collapse of the romantic illusions of the hero. Carnival imagery allows Gogol to convey his own vision of St. Petersburg as a city of contrasts, where the high borders on the low, and beauty turns into vulgarity. Thus, the study makes a significant contribution to understanding the role of carnivalization in the artistic world of the story "Nevsky Prospekt" and expands the understanding of the creative method of N.V. Gogol.
{"title":"Features of the manifestation of the carnival principle in N.V. Gogol's novella \"Nevsky Prospekt\"","authors":"Xiaoran Fang","doi":"10.25136/2409-8698.2024.6.70966","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70966","url":null,"abstract":"\u0000 This article is devoted to the study of the phenomenon of carnivalization in N.V. Gogol's novella \"Nevsky Prospekt\". The paper analyzes the key manifestations of carnivalization in the story, such as the creation of a game atmosphere, blurring the boundaries between the real and the fantastic, the metamorphoses of the characters, the use of the grotesque and the combination of the comic with the tragic. Special attention is paid to the image of Nevsky Prospekt as a carnivalized space where various social strata, masks and roles are mixed. The article also examines the parallel storylines of Lieutenant Pirogov and the artist Piskarev. The study demonstrates how Gogol masterfully uses elements of carnivalization to create a multifaceted and ambivalent picture of life in which the high and the low, the tragic and the comic combine and interact with each other. Along with general scientific methods of analysis, synthesis and generalization, descriptive and comparative methods are used in the work. The scientific novelty of this work lies in the consideration of the death scene of the protagonist of the story by the artist Piskarev, in the aspect of the theory of carnival. According to the results of the study, it was found that in the story \"Nevsky Prospekt\" the key features of carnivalization are vividly manifested: the creation of a playful, festive atmosphere in a specific space of Nevsky Prospekt; the erasure of hierarchical and social differences between the characters; the intertwining of the illusory and real worlds; the use of grotesque images and the combination of the ridiculous with the tragic. Special attention is paid to the analysis of Piskarev's suicide scene, which is considered as the culmination of a carnival action, where the tragic event acquires an ambivalent character and becomes a kind of symbol of the collapse of the romantic illusions of the hero. Carnival imagery allows Gogol to convey his own vision of St. Petersburg as a city of contrasts, where the high borders on the low, and beauty turns into vulgarity. Thus, the study makes a significant contribution to understanding the role of carnivalization in the artistic world of the story \"Nevsky Prospekt\" and expands the understanding of the creative method of N.V. Gogol.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"38 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141415015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.43475
I. A. Lekomtseva, Ekaterina Kirillovna Vyunova, Adelya Khamitovna Abdulmanova
Interpreting student errors have little been accorded full-scale treatment. The objective of the article is, then, to provide a classification of and explain some of the most recurrent grammatical errors made by students in Russian-to-English consecutive interpreting. Our findings suggest that all grammatical errors in student consecutive interpreting fall into four groups: errors in the use of articles; errors in the use of tenses; errors in the use of voice; and errors in the use of number. Among the key sources of grammatical errors in consecutive interpreting are inadequate linguistic competence and performance, i.e. tendency to transfer grammatical patterns specific to a native language into a foreign language, unpredictable syntax, quick speech motor actions; and psychological and cognitive factors, i.e. principles of analogy, severe time constraints. Error analysis in student consecutive interpreting can make a positive contribution into the practice of training interpreters as it reveals the problem triggers. Additionally, inquiries in error analysis can make valuable contributions in a linguistic typology of interpreting errors in typologically and structurally different languages, i.e. language-specific and language-pair specific errors.
{"title":"Recurrent grammatical errors in student Russian-to-English consecutive interpreting","authors":"I. A. Lekomtseva, Ekaterina Kirillovna Vyunova, Adelya Khamitovna Abdulmanova","doi":"10.25136/2409-8698.2024.6.43475","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.43475","url":null,"abstract":"\u0000 Interpreting student errors have little been accorded full-scale treatment. The objective of the article is, then, to provide a classification of and explain some of the most recurrent grammatical errors made by students in Russian-to-English consecutive interpreting. Our findings suggest that all grammatical errors in student consecutive interpreting fall into four groups: errors in the use of articles; errors in the use of tenses; errors in the use of voice; and errors in the use of number. Among the key sources of grammatical errors in consecutive interpreting are inadequate linguistic competence and performance, i.e. tendency to transfer grammatical patterns specific to a native language into a foreign language, unpredictable syntax, quick speech motor actions; and psychological and cognitive factors, i.e. principles of analogy, severe time constraints. Error analysis in student consecutive interpreting can make a positive contribution into the practice of training interpreters as it reveals the problem triggers. Additionally, inquiries in error analysis can make valuable contributions in a linguistic typology of interpreting errors in typologically and structurally different languages, i.e. language-specific and language-pair specific errors.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"80 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141391380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70047
Alwan Hassan Albulanee
The global crisis caused by the COVID-19 pandemic generated serious social upheavals, intensified the politicization of the literary process and awakens literary discourse, highlighting the “enduring reality" of national identity and social class. The proletarian literature of the USA of the 1920s and 30s and the left-wing political discourse of this period echoing it are a vivid example of understanding these issues in American society and in the life of the common man. This article aims to analyze and summarize the most fundamental aspects of American proletarian literature, as a phenomenon of the 1920s and 30s, and left-wing political discourse, shedding light on the relationship between two phenomena directly related to American identity - the "Other" and the "American Dream". The themes of identity and otherness in American history and literature of this period were critically analyzed using the example of historical documents, literary texts and theoretical studies. The novelty of the study lies in its synthesizing nature; the important aspects and patterns have been identified that combine a body of sources of various scales on the topic of the American Dream and the concept of the Other, relating to individuals or groups who are excluded from the idealized vision of success due to the existence of systemic obstacles to access to the same opportunities and results that the mainstream or dominant culture possesses. The results of the study open the way for further literary studies of the broader socio-political contexts that shaped the production and perception of proletarian literature, and their significance for the modern understanding of American society and the social challenges that it faces.
{"title":"The Phenomenon of “the Other\" in the context of the American Dream in American Proletarian Literature and Left-Wing Political Discourse of the 1920s and 30s","authors":"Alwan Hassan Albulanee","doi":"10.25136/2409-8698.2024.6.70047","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70047","url":null,"abstract":"\u0000 The global crisis caused by the COVID-19 pandemic generated serious social upheavals, intensified the politicization of the literary process and awakens literary discourse, highlighting the “enduring reality\" of national identity and social class. The proletarian literature of the USA of the 1920s and 30s and the left-wing political discourse of this period echoing it are a vivid example of understanding these issues in American society and in the life of the common man. This article aims to analyze and summarize the most fundamental aspects of American proletarian literature, as a phenomenon of the 1920s and 30s, and left-wing political discourse, shedding light on the relationship between two phenomena directly related to American identity - the \"Other\" and the \"American Dream\". The themes of identity and otherness in American history and literature of this period were critically analyzed using the example of historical documents, literary texts and theoretical studies. The novelty of the study lies in its synthesizing nature; the important aspects and patterns have been identified that combine a body of sources of various scales on the topic of the American Dream and the concept of the Other, relating to individuals or groups who are excluded from the idealized vision of success due to the existence of systemic obstacles to access to the same opportunities and results that the mainstream or dominant culture possesses. The results of the study open the way for further literary studies of the broader socio-political contexts that shaped the production and perception of proletarian literature, and their significance for the modern understanding of American society and the social challenges that it faces.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"82 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141407302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70632
Mariya Sergeevna Makarova, Denis Mihailovich Turunov, Ekaterina Dmitrievna Smirnova, Alena Andreevna Osipova, Mariya Korti, Inin CHzhao, Elizaveta Anatol'evna Klimova
This article explores the influence of online media on the process of adaptation of foreign students in educational institutions. The study was carried out in relation to the Peoples' Friendship University of Russia and some other universities of the Russian Federation that actively use international educational and academic exchange. The authors analyze the main barriers students face when transitioning to a new learning environment, such as cultural, linguistic and academic differences. The authors of the article discuss the role of online media in overcoming these barriers, emphasizing their importance in the process of exchanging information, developing communication skills in a foreign language, and creating trusting relationships. The contribution of online media to the integration of different cultures and traditions is considered, which contributes to the formation of cultural understanding, tolerance and respect for the diversity of worldviews in the educational environment. An analysis is made of how students use online resources to obtain additional information, develop relevant skills and deepen their knowledge, as well as an analysis of existing research on the topic of adaptation of foreign students and the role of online media in education. In addition, the article covers the following subtopics. Features of collecting data on the experience of foreign students and their use of online media. Conducting interviews with foreign students, teachers, and university administrations to obtain high-quality information about adaptation problems and the role of perception of Internet resources and their impact on the adaptation process. The novelty of this study lies in the following characteristics of the work performed. Focuses were made on a specific university or region. The specifics of different groups of students were taken into account. The analysis was carried out taking into account how online media is used by students from different countries, with different language levels, different specialties, etc. The influence of specific types of online media was studied: for example, social networks, educational platforms, chatbots, specialized applications for international students. The analysis of the influence of online media was explicit on various aspects of adaptation through such sections as academic performance, psychological well-being, social integration, cultural adaptation and others. The project ends with a presentation of recommendations developed by the authors of the article on the use of online media to increase the effectiveness of adaptation of foreign students in other countries or universities around the world.
{"title":"Features of building communication with international students using modern online media","authors":"Mariya Sergeevna Makarova, Denis Mihailovich Turunov, Ekaterina Dmitrievna Smirnova, Alena Andreevna Osipova, Mariya Korti, Inin CHzhao, Elizaveta Anatol'evna Klimova","doi":"10.25136/2409-8698.2024.6.70632","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70632","url":null,"abstract":"\u0000 This article explores the influence of online media on the process of adaptation of foreign students in educational institutions. The study was carried out in relation to the Peoples' Friendship University of Russia and some other universities of the Russian Federation that actively use international educational and academic exchange. The authors analyze the main barriers students face when transitioning to a new learning environment, such as cultural, linguistic and academic differences. The authors of the article discuss the role of online media in overcoming these barriers, emphasizing their importance in the process of exchanging information, developing communication skills in a foreign language, and creating trusting relationships. The contribution of online media to the integration of different cultures and traditions is considered, which contributes to the formation of cultural understanding, tolerance and respect for the diversity of worldviews in the educational environment. An analysis is made of how students use online resources to obtain additional information, develop relevant skills and deepen their knowledge, as well as an analysis of existing research on the topic of adaptation of foreign students and the role of online media in education. In addition, the article covers the following subtopics. Features of collecting data on the experience of foreign students and their use of online media. Conducting interviews with foreign students, teachers, and university administrations to obtain high-quality information about adaptation problems and the role of perception of Internet resources and their impact on the adaptation process. The novelty of this study lies in the following characteristics of the work performed. Focuses were made on a specific university or region. The specifics of different groups of students were taken into account. The analysis was carried out taking into account how online media is used by students from different countries, with different language levels, different specialties, etc. The influence of specific types of online media was studied: for example, social networks, educational platforms, chatbots, specialized applications for international students. The analysis of the influence of online media was explicit on various aspects of adaptation through such sections as academic performance, psychological well-being, social integration, cultural adaptation and others. The project ends with a presentation of recommendations developed by the authors of the article on the use of online media to increase the effectiveness of adaptation of foreign students in other countries or universities around the world.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"22 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141411036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70920
Xiaoxiao Hao, Nikolai Sergeevich Labush, Yuqi Wei
In this study, the object is the official website "People's Daily Online," and the subject is the values represented in the materials published on this site from 2020 to 2022. When examining the values in "People's Daily Online," we identify the following key values from contemporary Chinese values: "patriotism" and "collectivism," which prioritize the interests of the state and the collective; the spirit of "selfless service"; "friendliness" as a combination of "respect, tolerance, accommodation, care, and mutual assistance"; "diligence and frugality" as family values; professional values based on "devotion to work" and aligned with the demands of the times (in this study, we use the term "people pursuing their dreams," proposed by President Xi Jinping, to denote professional values). Ideas that contradict these core values include "selfishness," "malice," "laziness," "greed," etc. The study of values and value conflicts in "People's Daily Online" (2020-2022) involved collecting and classifying materials, identifying keywords using Anaconda, conducting a quantitative analysis of term frequency and co-occurrence, as well as a qualitative analysis of articles to determine their value orientations. The scientific novelty of this study lies in a comprehensive analysis of values reflected in leading Chinese media, using the example of "People's Daily Online" from 2020 to 2022. The research holds significant political and social importance as it contributes to a deeper understanding of the value orientations of the Chinese government and its information dissemination strategies. It reveals the mechanisms through which media shape public opinion and social identity. From an academic perspective, the study enriches media and communication theory, especially in the context of its application outside the North American environment. An international perspective can serve as a guide for other countries, helping them better understand and effectively address the challenges of information dissemination and value competition in the era of globalization. The findings of the study show that "People's Daily Online" actively fulfills the role of a leading media outlet in shaping a favorable ideological atmosphere within a socialist framework.
{"title":"Analysis of values reflected in \"People's Daily Online\" from 2020 to 2022","authors":"Xiaoxiao Hao, Nikolai Sergeevich Labush, Yuqi Wei","doi":"10.25136/2409-8698.2024.6.70920","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70920","url":null,"abstract":"\u0000 In this study, the object is the official website \"People's Daily Online,\" and the subject is the values represented in the materials published on this site from 2020 to 2022. When examining the values in \"People's Daily Online,\" we identify the following key values from contemporary Chinese values: \"patriotism\" and \"collectivism,\" which prioritize the interests of the state and the collective; the spirit of \"selfless service\"; \"friendliness\" as a combination of \"respect, tolerance, accommodation, care, and mutual assistance\"; \"diligence and frugality\" as family values; professional values based on \"devotion to work\" and aligned with the demands of the times (in this study, we use the term \"people pursuing their dreams,\" proposed by President Xi Jinping, to denote professional values). Ideas that contradict these core values include \"selfishness,\" \"malice,\" \"laziness,\" \"greed,\" etc. The study of values and value conflicts in \"People's Daily Online\" (2020-2022) involved collecting and classifying materials, identifying keywords using Anaconda, conducting a quantitative analysis of term frequency and co-occurrence, as well as a qualitative analysis of articles to determine their value orientations. The scientific novelty of this study lies in a comprehensive analysis of values reflected in leading Chinese media, using the example of \"People's Daily Online\" from 2020 to 2022. The research holds significant political and social importance as it contributes to a deeper understanding of the value orientations of the Chinese government and its information dissemination strategies. It reveals the mechanisms through which media shape public opinion and social identity. From an academic perspective, the study enriches media and communication theory, especially in the context of its application outside the North American environment. An international perspective can serve as a guide for other countries, helping them better understand and effectively address the challenges of information dissemination and value competition in the era of globalization. The findings of the study show that \"People's Daily Online\" actively fulfills the role of a leading media outlet in shaping a favorable ideological atmosphere within a socialist framework.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141405735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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