Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70534
Fan' Wang, Karina Nazirovna Galai
This article is a study of female images in modern Chinese literary works. The author analyzes the evolution of representations of women in modern Chinese literature and their important role in the democratization of society. Through an examination of the works of authors such as Lu Xun, Lao She, Chen Zhongshi, Yu Hua and others, the article reveals diverse aspects of women's experiences, including social injustice, discrimination and exploitation. In addition, the author highlights the influence of literature in shaping public opinion about the role and rights of women, and discusses possible paths towards creating a more equal and inclusive society in the future. The subjects of the study are the works of modern Chinese writers and the female images of these literary works. The main research materials are the modern Chinese literary works of various genres and movements, including novels, short stories, poems and essays. Research methods - analysis of literary sources on the research topic, comparative analysis, content analysis, interpretation of texts, historical method. The purpose of the study is to analyze and evaluate ideas about female characters in modern Chinese literary works, taking into account their influence on the processes of democratization of society. The scientific novelty of this study lies in the fact that it represents an initial research look at female images in modern Chinese literature and their influence on the processes of democratization of society. The work is based on the analysis of contemporary literary works and includes the study of various aspects of women's experience in the context of Chinese culture and society. As a result of the study, new trends and patterns in the representation of female characters will be identified, as well as new approaches to understanding and solving the problems of gender inequality and social discrimination in Chinese society will be formulated.
{"title":"The study of female images in modern Chinese literary works","authors":"Fan' Wang, Karina Nazirovna Galai","doi":"10.25136/2409-8698.2024.6.70534","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70534","url":null,"abstract":"\u0000 This article is a study of female images in modern Chinese literary works. The author analyzes the evolution of representations of women in modern Chinese literature and their important role in the democratization of society. Through an examination of the works of authors such as Lu Xun, Lao She, Chen Zhongshi, Yu Hua and others, the article reveals diverse aspects of women's experiences, including social injustice, discrimination and exploitation. In addition, the author highlights the influence of literature in shaping public opinion about the role and rights of women, and discusses possible paths towards creating a more equal and inclusive society in the future. The subjects of the study are the works of modern Chinese writers and the female images of these literary works. The main research materials are the modern Chinese literary works of various genres and movements, including novels, short stories, poems and essays. Research methods - analysis of literary sources on the research topic, comparative analysis, content analysis, interpretation of texts, historical method. The purpose of the study is to analyze and evaluate ideas about female characters in modern Chinese literary works, taking into account their influence on the processes of democratization of society. The scientific novelty of this study lies in the fact that it represents an initial research look at female images in modern Chinese literature and their influence on the processes of democratization of society. The work is based on the analysis of contemporary literary works and includes the study of various aspects of women's experience in the context of Chinese culture and society. As a result of the study, new trends and patterns in the representation of female characters will be identified, as well as new approaches to understanding and solving the problems of gender inequality and social discrimination in Chinese society will be formulated.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"17 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141397758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70956
Mariia Aleksandrovna Tetenova
This study highlights the history of E.A. Poe's work on the Russian literary scene, shedding light on the cultural, historical and editorial factors that determined its existence in Russia in the nineteenth century. In analysing the translations, we have resorted to the study of existing studies on the subject, archival materials of the Russian press, literary criticism etc. The aim of the study was to reconstruct the specific context and the specific conditions under which the work of Poe penetrated into Russia, which would also allow us to illustrate the key role of translators in the presentation of Poe on the Russian, French, and world literary scene. The subject of our study was the special conditions that determined the penetration of Poe's work in Russia. The object of the study was the biographies written by different people in different eras, as well as documents that influenced his image. The main method of the study was a comparative analysis of texts that tell about Poe's life and personality. The main result of the research is the reconstruction of the ‘route’, following which Poe's work came to Russia, as well as the identification of all the key persons, without whom Poe's work would have to wait for its time. The article also contributes to our understanding of the historical and cultural context that determined the appearance of Poe on the Russian literary scene, as well as names the most important writers, researchers and translators who paved the way for Poe to come to Russia. Scientific novelty is provided by creating a synthesis of existing studies on this topic in Russian, French and English, which allows to make the most complete three-dimensional picture and chronology of the existence of Poe's work which also provides theoretical significance of the study.
{"title":"Edgar Allan Poe's journey to Russia: fiction and reality","authors":"Mariia Aleksandrovna Tetenova","doi":"10.25136/2409-8698.2024.6.70956","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70956","url":null,"abstract":"\u0000 This study highlights the history of E.A. Poe's work on the Russian literary scene, shedding light on the cultural, historical and editorial factors that determined its existence in Russia in the nineteenth century. In analysing the translations, we have resorted to the study of existing studies on the subject, archival materials of the Russian press, literary criticism etc. The aim of the study was to reconstruct the specific context and the specific conditions under which the work of Poe penetrated into Russia, which would also allow us to illustrate the key role of translators in the presentation of Poe on the Russian, French, and world literary scene. The subject of our study was the special conditions that determined the penetration of Poe's work in Russia. The object of the study was the biographies written by different people in different eras, as well as documents that influenced his image. The main method of the study was a comparative analysis of texts that tell about Poe's life and personality. The main result of the research is the reconstruction of the ‘route’, following which Poe's work came to Russia, as well as the identification of all the key persons, without whom Poe's work would have to wait for its time. The article also contributes to our understanding of the historical and cultural context that determined the appearance of Poe on the Russian literary scene, as well as names the most important writers, researchers and translators who paved the way for Poe to come to Russia. Scientific novelty is provided by creating a synthesis of existing studies on this topic in Russian, French and English, which allows to make the most complete three-dimensional picture and chronology of the existence of Poe's work which also provides theoretical significance of the study.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"54 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141410242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.43566
Narine Joraevna Karakhanian
The purpose of the article is to identify the semantic potential of the concept "faith", to show its role in the disclosure of the ideological and philosophical layer of the story, in the system of characters. The subject of the research is the analysis of the functions of the concept "faith" and the ways of its actualization in the first major work of M. Gorky's novella "Thomas Gordeev". The main form of realization of the concept is the monologues of the heroes addressed to the main character in order to inspire their own idea of faith, as well as in his internal monologues and dialogues with opponents.The prospects for the study of the concept of "faith" are connected with the analysis of its functions in other genre forms created by the writer, which allows us to trace the evolution of the artist's worldview. The scientific novelty lies in the proof of the position that the concept of "faith" in the plot of the story expands the peripheral spectrum of meanings revealed in the process of educational monologues of characters addressed to the main character, his internal monologues and dialogues with opponents. The expansion of the peripheral zone of the concept occurs in its speech representation: the use of the concept under consideration by the actors allows us to judge the character of the hero, the moral atmosphere of the era.The result of the study showed that the use of typological, historical and functional methods, conceptual analysis allowed us to determine the associative space of actualization of semantic units characterizing the concept of "faith". The results obtained can be used in the course "History of Russian literature of the XX century", in special courses on Gorky's work.
{"title":"The semantic potential of the concept \"faith\" in Maxim Gorky's novel \"Foma Gordeev\"","authors":"Narine Joraevna Karakhanian","doi":"10.25136/2409-8698.2024.6.43566","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.43566","url":null,"abstract":"\u0000 The purpose of the article is to identify the semantic potential of the concept \"faith\", to show its role in the disclosure of the ideological and philosophical layer of the story, in the system of characters. The subject of the research is the analysis of the functions of the concept \"faith\" and the ways of its actualization in the first major work of M. Gorky's novella \"Thomas Gordeev\". The main form of realization of the concept is the monologues of the heroes addressed to the main character in order to inspire their own idea of faith, as well as in his internal monologues and dialogues with opponents.The prospects for the study of the concept of \"faith\" are connected with the analysis of its functions in other genre forms created by the writer, which allows us to trace the evolution of the artist's worldview. The scientific novelty lies in the proof of the position that the concept of \"faith\" in the plot of the story expands the peripheral spectrum of meanings revealed in the process of educational monologues of characters addressed to the main character, his internal monologues and dialogues with opponents. The expansion of the peripheral zone of the concept occurs in its speech representation: the use of the concept under consideration by the actors allows us to judge the character of the hero, the moral atmosphere of the era.The result of the study showed that the use of typological, historical and functional methods, conceptual analysis allowed us to determine the associative space of actualization of semantic units characterizing the concept of \"faith\". The results obtained can be used in the course \"History of Russian literature of the XX century\", in special courses on Gorky's work.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"2 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141415930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.43573
I. I. Mukhortova
The subject of the study is linguistic, extralinguistic and linguoculturological features that determine the specifics of English and Russian-language texts of ethical codes of banks in a comparative aspect throughout the XXI century. To analyze the specifics of the texts of ethical codes of banks (based on the material of English and Russian languages), descriptive and comparative methods are used in the article. The methodological basis is determined by a systematic approach based on the principle of consistency of linguistic phenomena, system analysis, as well as descriptive, inductive-deductive and comparative methods. In accordance with the systematic approach, the interrelation of structural, genre-content, linguistic and cultural features of the texts of banking discourse on the material of English and Russian languages is actualized.The scientific novelty consists in a comprehensive study and a systematic description of the structural, genre-content, linguistic features of the texts of ethical codes of leading English-speaking and Russian-speaking banks. For the first time, the analysis of the specifics of the texts of the banking discourse in a comparative aspect was carried out, as well as the specific structural, genre, semantic features of ethical codes as a new artifact of modern textual culture, and their transformation during the XXI century against the background of the realities of reality, namely before the 2020 pandemic and after. Thus, based on the analysis performed, it can be argued that bank texts in both languages, due to the active digitalization of society, are characterized by identical key structural, genre-content and language features. Nevertheless, Russian-language texts have made a huge transformational leap in terms of digital content and can be distinguished by a large spread of semiotically complicated polycode systems and the presence of creolized texts.
{"title":"Linguistic and extralinguistic specificity of Russian and English texts of ethical codes in the diachronic aspect","authors":"I. I. Mukhortova","doi":"10.25136/2409-8698.2024.6.43573","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.43573","url":null,"abstract":"\u0000 The subject of the study is linguistic, extralinguistic and linguoculturological features that determine the specifics of English and Russian-language texts of ethical codes of banks in a comparative aspect throughout the XXI century. To analyze the specifics of the texts of ethical codes of banks (based on the material of English and Russian languages), descriptive and comparative methods are used in the article. The methodological basis is determined by a systematic approach based on the principle of consistency of linguistic phenomena, system analysis, as well as descriptive, inductive-deductive and comparative methods. In accordance with the systematic approach, the interrelation of structural, genre-content, linguistic and cultural features of the texts of banking discourse on the material of English and Russian languages is actualized.The scientific novelty consists in a comprehensive study and a systematic description of the structural, genre-content, linguistic features of the texts of ethical codes of leading English-speaking and Russian-speaking banks. For the first time, the analysis of the specifics of the texts of the banking discourse in a comparative aspect was carried out, as well as the specific structural, genre, semantic features of ethical codes as a new artifact of modern textual culture, and their transformation during the XXI century against the background of the realities of reality, namely before the 2020 pandemic and after. Thus, based on the analysis performed, it can be argued that bank texts in both languages, due to the active digitalization of society, are characterized by identical key structural, genre-content and language features. Nevertheless, Russian-language texts have made a huge transformational leap in terms of digital content and can be distinguished by a large spread of semiotically complicated polycode systems and the presence of creolized texts.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"228 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141402100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70957
Nikol Igorevna Nemkina
This scientific article examines the phenomenon of multimodality based on the material of Chinese folklore images. The object of the research is the images of fictional characters of Chinese folklore works, and the subject is the analysis of images of Chinese folklore works in their multimodal expression in modern adaptations. The purpose of the study is to show how modern discursive practices, characterized by a high degree of multimodality, affect the development of the concept of the image of a folklore work in the recipient's mind. The tasks that were solved within the framework of this study: 1) description of the phenomenon of multimodality in the context of modern multimedia technologies; 2) analysis of image concepts in mobile game, cartoons and TV show; 3) assessment of the influence of multimodality on the peculiarities of the development of image concepts and their perception in the recipient's mind. The methods used are the continuous sampling method for collecting the analyzed material, as well as methods of semantic, contextual and conceptual analysis. The scientific novelty of the work is due to the fact that for the first time are studied the various images of Chinese folklore works in their modern interpretation. As a result of a comprehensive analysis, the following conclusions were drawn: multimodality affects the degree of perception of an image in the recipient's mind in different ways, on the one hand, it leads to a simplification of the understanding of meanings, on the other hand, to a complication of systems for creating these meanings. One of the manifestations of this complication is the existence of a high degree of intertextuality, which can undermine perception of fictional characters, lead to the false assumption of some characters for others. The desire to get closer to the preferences of the modern viewer leads both to a slight difference in the basic features of the concepts, and to their complete opposite, which also affects the process of perception of the image. Nevertheless, despite the significant degree of adaptation of images that cause different user assessments, the social and cultural-historical processes of a dynamically changing world require compliance with the conditions of functioning of modern discursive practices.
{"title":"The multimodality of Chinese folklore images","authors":"Nikol Igorevna Nemkina","doi":"10.25136/2409-8698.2024.6.70957","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70957","url":null,"abstract":"\u0000 This scientific article examines the phenomenon of multimodality based on the material of Chinese folklore images. The object of the research is the images of fictional characters of Chinese folklore works, and the subject is the analysis of images of Chinese folklore works in their multimodal expression in modern adaptations. The purpose of the study is to show how modern discursive practices, characterized by a high degree of multimodality, affect the development of the concept of the image of a folklore work in the recipient's mind. The tasks that were solved within the framework of this study: 1) description of the phenomenon of multimodality in the context of modern multimedia technologies; 2) analysis of image concepts in mobile game, cartoons and TV show; 3) assessment of the influence of multimodality on the peculiarities of the development of image concepts and their perception in the recipient's mind. The methods used are the continuous sampling method for collecting the analyzed material, as well as methods of semantic, contextual and conceptual analysis. The scientific novelty of the work is due to the fact that for the first time are studied the various images of Chinese folklore works in their modern interpretation. As a result of a comprehensive analysis, the following conclusions were drawn: multimodality affects the degree of perception of an image in the recipient's mind in different ways, on the one hand, it leads to a simplification of the understanding of meanings, on the other hand, to a complication of systems for creating these meanings. One of the manifestations of this complication is the existence of a high degree of intertextuality, which can undermine perception of fictional characters, lead to the false assumption of some characters for others. The desire to get closer to the preferences of the modern viewer leads both to a slight difference in the basic features of the concepts, and to their complete opposite, which also affects the process of perception of the image. Nevertheless, despite the significant degree of adaptation of images that cause different user assessments, the social and cultural-historical processes of a dynamically changing world require compliance with the conditions of functioning of modern discursive practices.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141394251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70976
Wen Feng, Nataliya Vladimirovna Perfilieva
In recent years, due to the impact of the COVID-19 pandemic, cooperation among countries in the medical field has become increasingly important. Cooperation continues to develop, and more and more foreign products are appearing in the pharmaceutical market. This has led to an increasing interest in changing drug names to another language, especially Chinese. This article analyzes four methods for translating traditional Chinese medicine terminology in advertising: phonetic method, semantic method, hybrid method, and semantic method, while considering the particularity of traditional Chinese medicine. The research object is the particularity of translating foreign medical terms into Chinese. This article aims to analyze the methods of translating medical terminology into Chinese. In addition, a new translation method - a semantic approach with the particularity of traditional Chinese medicine - has been proposed. The research materials include medical terms and their Chinese translations. This article provides an example of a method for translating medical terminology into Chinese and proposes a new method for translating medical terminology - a semantic approach that takes into account the unique characteristics of traditional Chinese medicine.People have found that names translated using phonetic methods are usually associated with Latin words. When using semantic methods, select these hieroglyphs to indicate the exact action of the drug. The use of hybrid methods to translate drug names not only preserves the sound of the original language, but also includes information about the usefulness of the product. When translating into Chinese, English words with traditional Chinese medicine characteristics are usually added. When translating European drug names, considering the particularity of traditional Chinese medicine, the reality of Chinese language and culture is often added to make the operation of drugs easier for consumers to understand. Translation is usually supported through visualization, which refers to Chinese idioms and traditional cultural images.
{"title":"Characteristics of Chinese translation of drug names in advertisements","authors":"Wen Feng, Nataliya Vladimirovna Perfilieva","doi":"10.25136/2409-8698.2024.6.70976","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70976","url":null,"abstract":"\u0000 In recent years, due to the impact of the COVID-19 pandemic, cooperation among countries in the medical field has become increasingly important. Cooperation continues to develop, and more and more foreign products are appearing in the pharmaceutical market. This has led to an increasing interest in changing drug names to another language, especially Chinese. This article analyzes four methods for translating traditional Chinese medicine terminology in advertising: phonetic method, semantic method, hybrid method, and semantic method, while considering the particularity of traditional Chinese medicine. The research object is the particularity of translating foreign medical terms into Chinese. This article aims to analyze the methods of translating medical terminology into Chinese. In addition, a new translation method - a semantic approach with the particularity of traditional Chinese medicine - has been proposed. The research materials include medical terms and their Chinese translations. This article provides an example of a method for translating medical terminology into Chinese and proposes a new method for translating medical terminology - a semantic approach that takes into account the unique characteristics of traditional Chinese medicine.People have found that names translated using phonetic methods are usually associated with Latin words. When using semantic methods, select these hieroglyphs to indicate the exact action of the drug. The use of hybrid methods to translate drug names not only preserves the sound of the original language, but also includes information about the usefulness of the product. When translating into Chinese, English words with traditional Chinese medicine characteristics are usually added. When translating European drug names, considering the particularity of traditional Chinese medicine, the reality of Chinese language and culture is often added to make the operation of drugs easier for consumers to understand. Translation is usually supported through visualization, which refers to Chinese idioms and traditional cultural images.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141395038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-01DOI: 10.25136/2409-8698.2024.4.70516
Hao Han, N. M. Dugalich
The research aims to conduct a comparative analysis of self-mention, particularly the usage of self-mention ‘we’, as a means of academic persuasion between Chinese linguistic MA novices and linguistic experts. Self-mentions serve various rhetorical functions in academic persuasion. However, for second language writers, mastering these rhetorical functions represents an advanced writing skill, which is contingent upon a proficient command of the structural aspects of self-mention phrases. In light of this issue, this study undertakes a collocation and chunk analysis. The objective is to analyze the collocation characteristics and chunk features of self-mention ‘we’ in international journal articles (ILJA_C) and Chinese MA theses (CLMA_C). This objective informs the choice of the research subject – identifying similarities and differences in the utilization of self-mention ‘we’ in two databases: ILJA_C and CLMA_C. This study’s methodology utilizes a corpus-driven approach alongside comparative academic discourse analysis within academic writing. The novelty of this research lies in its investigation of the collocation characteristics and chunk features of self-mention ‘we’ in CLMA_C and ILJA_C. This study represents a substantial contribution to the fields of second language acquisition and comparative linguistics by enhancing our understanding of self-mention in academic persuasion. Findings reveal significant disparities in the usage of ‘we’ between Chinese MA novices and linguistic experts. Novices tend to focus on constructing discourse logic, whereas experts prioritize establishing academic positions. Analysis of chunk structures exposes varying approaches to discourse and interpersonal functions, underscoring the necessity for novices to emulate expert usage patterns.
{"title":"Self-mention in Chinese linguistic MA novices’ and experts’ academic writing: A corpus-driven investigation of ‘we’","authors":"Hao Han, N. M. Dugalich","doi":"10.25136/2409-8698.2024.4.70516","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.4.70516","url":null,"abstract":"\u0000 The research aims to conduct a comparative analysis of self-mention, particularly the usage of self-mention ‘we’, as a means of academic persuasion between Chinese linguistic MA novices and linguistic experts. Self-mentions serve various rhetorical functions in academic persuasion. However, for second language writers, mastering these rhetorical functions represents an advanced writing skill, which is contingent upon a proficient command of the structural aspects of self-mention phrases. In light of this issue, this study undertakes a collocation and chunk analysis. The objective is to analyze the collocation characteristics and chunk features of self-mention ‘we’ in international journal articles (ILJA_C) and Chinese MA theses (CLMA_C). This objective informs the choice of the research subject – identifying similarities and differences in the utilization of self-mention ‘we’ in two databases: ILJA_C and CLMA_C. This study’s methodology utilizes a corpus-driven approach alongside comparative academic discourse analysis within academic writing. The novelty of this research lies in its investigation of the collocation characteristics and chunk features of self-mention ‘we’ in CLMA_C and ILJA_C. This study represents a substantial contribution to the fields of second language acquisition and comparative linguistics by enhancing our understanding of self-mention in academic persuasion. Findings reveal significant disparities in the usage of ‘we’ between Chinese MA novices and linguistic experts. Novices tend to focus on constructing discourse logic, whereas experts prioritize establishing academic positions. Analysis of chunk structures exposes varying approaches to discourse and interpersonal functions, underscoring the necessity for novices to emulate expert usage patterns.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"39 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140786791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-01DOI: 10.25136/2409-8698.2024.4.70345
Xiuyu Li
The subject of the study is the semantic and functional features of the lexico-semantic group of verbs denoting interpersonal relations in the Russian and Chinese languages. The verbal vocabulary representing the category of relationship describes the relationships that arise between people in the form of feelings, judgments and appeals to each other in the course of everyday life. The purpose of the proposed article is to identify the semantic and functional features of the verbs of the lexico-semantic group of interpersonal relations in the system of Russian and Chinese languages. The study revealed similarities and differences in the meaning of these verbs. As the analysis showed, some Chinese verbs do not match the meaning of the verbs of the Russian language. This article also examines the types of semantic changes in the semantic structure of the verbal word form functioning in the context. The main method of studying this group of verbs in Russian and Chinese is the comparative method. The descriptive method and the functional-semantic method, as well as the method of component analysis, were used in the selection and use of linguistic material. The scientific novelty of the study lies in the fact that the verbs of interpersonal relations are still insufficiently studied on the materials of the Russian and Chinese languages. The results of the research can be used in the practice of teaching university courses in such disciplines as cognitive linguistics, linguoculturology, and intercultural communication. The study allows us to conclude that the verbs of interpersonal relationships are quite often used in both languages. The meanings of Chinese and Russian verbs are not always equivalent. Their semantic structures may also differ. The analysis of interlanguage gaps reveals the presence of incomplete lexical correspondence to a foreign word. Some verbal lexicons express interpersonal relationships in their direct meanings, while others develop this ability as a result of semantic modulation and semantic derivation. Interpersonal relationships can be expressed by verbs from other lexico-semantic groups, acquiring the semantics of interpersonal relationships in the context. In conclusion, we note that expressions of interpersonal relationships can also be verb-noun combinations, which, when analyzing various specifiers in the context, indicate the reasons for a positive or negative attitude towards a person.
{"title":"Verbal vocabulary as a means of expressing interpersonal relations in Russian and Chinese","authors":"Xiuyu Li","doi":"10.25136/2409-8698.2024.4.70345","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.4.70345","url":null,"abstract":"\u0000 The subject of the study is the semantic and functional features of the lexico-semantic group of verbs denoting interpersonal relations in the Russian and Chinese languages. The verbal vocabulary representing the category of relationship describes the relationships that arise between people in the form of feelings, judgments and appeals to each other in the course of everyday life. The purpose of the proposed article is to identify the semantic and functional features of the verbs of the lexico-semantic group of interpersonal relations in the system of Russian and Chinese languages. The study revealed similarities and differences in the meaning of these verbs. As the analysis showed, some Chinese verbs do not match the meaning of the verbs of the Russian language. This article also examines the types of semantic changes in the semantic structure of the verbal word form functioning in the context. The main method of studying this group of verbs in Russian and Chinese is the comparative method. The descriptive method and the functional-semantic method, as well as the method of component analysis, were used in the selection and use of linguistic material. The scientific novelty of the study lies in the fact that the verbs of interpersonal relations are still insufficiently studied on the materials of the Russian and Chinese languages. The results of the research can be used in the practice of teaching university courses in such disciplines as cognitive linguistics, linguoculturology, and intercultural communication. The study allows us to conclude that the verbs of interpersonal relationships are quite often used in both languages. The meanings of Chinese and Russian verbs are not always equivalent. Their semantic structures may also differ. The analysis of interlanguage gaps reveals the presence of incomplete lexical correspondence to a foreign word. Some verbal lexicons express interpersonal relationships in their direct meanings, while others develop this ability as a result of semantic modulation and semantic derivation. Interpersonal relationships can be expressed by verbs from other lexico-semantic groups, acquiring the semantics of interpersonal relationships in the context. In conclusion, we note that expressions of interpersonal relationships can also be verb-noun combinations, which, when analyzing various specifiers in the context, indicate the reasons for a positive or negative attitude towards a person.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"232 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140762336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-01DOI: 10.25136/2409-8698.2024.4.70403
Yueqiu Niu
This article is devoted to the study of the images of the main characters of the novel, representing the author's complex view of the pre-Soviet period of Russian history, the First World War and the Revolution. Each character is characterized by his own system of ideological coordinates that form the picture of the world in the novel, expressing the national and cultural consciousness of the era. The character's deep characterization is based on a value paradigm, the constituent elements of which are attitude to nature, religion, homeland, and war. It is considered how these value characteristics are reflected in the life position of each character represented in the novel.The purpose of the article is to consider the system of images in A. Varlamov's novel "The Mental Wolf". The need to consider this problem is determined by the general literary position that the author's idea of life is expressed through a system of characters. The author uses the following research methods: comparative, hermeneutical and comparative typological. With the help of a systematic approach, an analytical study of images is provided. The analysis of the image system in the novel allowed us to correlate the images with the compositional structure of the work, to consider their position in the chronotope, to determine the characterological conflict in the novel. As the analysis made it possible to determine, the characters of Varlamov's novel form a system. Its main feature is the complex connections between the characters. The system of images in the novel is based on the idea of their attraction – repulsion. Relevance is seen in addressing one of the key problems of literary criticism based on the work of a modern author. It is established that complex connections of attraction, repulsion and pair interaction are established between the characters of the novel, which ultimately allows us to talk about a complex ideological concept of the novel depicting a person and his spiritual world in an era of changing social, cultural and political paradigms.
{"title":"The system of images in A. Varlamov's novel \"The Mental Wolf\"","authors":"Yueqiu Niu","doi":"10.25136/2409-8698.2024.4.70403","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.4.70403","url":null,"abstract":"\u0000 This article is devoted to the study of the images of the main characters of the novel, representing the author's complex view of the pre-Soviet period of Russian history, the First World War and the Revolution. Each character is characterized by his own system of ideological coordinates that form the picture of the world in the novel, expressing the national and cultural consciousness of the era. The character's deep characterization is based on a value paradigm, the constituent elements of which are attitude to nature, religion, homeland, and war. It is considered how these value characteristics are reflected in the life position of each character represented in the novel.The purpose of the article is to consider the system of images in A. Varlamov's novel \"The Mental Wolf\". The need to consider this problem is determined by the general literary position that the author's idea of life is expressed through a system of characters. The author uses the following research methods: comparative, hermeneutical and comparative typological. With the help of a systematic approach, an analytical study of images is provided. The analysis of the image system in the novel allowed us to correlate the images with the compositional structure of the work, to consider their position in the chronotope, to determine the characterological conflict in the novel. As the analysis made it possible to determine, the characters of Varlamov's novel form a system. Its main feature is the complex connections between the characters. The system of images in the novel is based on the idea of their attraction – repulsion. Relevance is seen in addressing one of the key problems of literary criticism based on the work of a modern author. It is established that complex connections of attraction, repulsion and pair interaction are established between the characters of the novel, which ultimately allows us to talk about a complex ideological concept of the novel depicting a person and his spiritual world in an era of changing social, cultural and political paradigms.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"153 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140794310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-01DOI: 10.25136/2409-8698.2024.4.70295
R. Abdullayev
The wealth of every independent and sovereign country is the abundance of language on its territory, in which the nationalities living there can freely use their languages. In addition to the State language, there are more than 15 languages spoken by ethnic minorities in the Republic of Azerbaijan. In addition to the languages of ethnic minorities, the population of the country uses other foreign languages, which are included in the group of world languages. The objects of research in this article are foreign languages and their relationship to the state language. The legislative acts adopted to regulate the language vector in the country are the subject of research. The author describes in detail and highlights the legislative bodies and government structures that play a crucial role in the development of language policy in the country. In the course of studying language policy, one cannot do without considering the following two main sociolinguistic terms: language regulation and language planning, which are of the nature of state or social impact on the functioning or development of languages in the state. The author mainly used the theoretical method in the study of the article, and also conducted a general analysis of the data. The conclusions are based on legal methods, as well as sociolinguistic methods (statistical and expert assessments). The necessary information in the field of the current language policy in the country was obtained during the analysis of legal documents. Foreign languages of global importance are in great demand among young people, increasingly studying these languages, they delve into the origins of this language, study the history of this country and through this prism the phenomenon of acculturation through language is observed. The author considers in more detail the status of the state language both de jure and de facto, and also considers in detail the position of the most widespread foreign languages in the republic. The language reforms carried out in the Republic of Azerbaijan mainly serve to strengthen the role of the Azerbaijani language as the state language and have the character of linguistic purism. Despite the ongoing reforms in the field of strengthening the state language, we are also considering a balanced language policy with regard to other languages existing on the territory of the Republic of Azerbaijan, the purpose of which is to preserve linguistic pluralism.
{"title":"State-supported language strategies in Azerbaijan: promotion of Azerbaijani and multilingual initiatives.","authors":"R. Abdullayev","doi":"10.25136/2409-8698.2024.4.70295","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.4.70295","url":null,"abstract":"\u0000 The wealth of every independent and sovereign country is the abundance of language on its territory, in which the nationalities living there can freely use their languages. In addition to the State language, there are more than 15 languages spoken by ethnic minorities in the Republic of Azerbaijan. In addition to the languages of ethnic minorities, the population of the country uses other foreign languages, which are included in the group of world languages. The objects of research in this article are foreign languages and their relationship to the state language. The legislative acts adopted to regulate the language vector in the country are the subject of research. The author describes in detail and highlights the legislative bodies and government structures that play a crucial role in the development of language policy in the country. In the course of studying language policy, one cannot do without considering the following two main sociolinguistic terms: language regulation and language planning, which are of the nature of state or social impact on the functioning or development of languages in the state. The author mainly used the theoretical method in the study of the article, and also conducted a general analysis of the data. The conclusions are based on legal methods, as well as sociolinguistic methods (statistical and expert assessments). The necessary information in the field of the current language policy in the country was obtained during the analysis of legal documents. Foreign languages of global importance are in great demand among young people, increasingly studying these languages, they delve into the origins of this language, study the history of this country and through this prism the phenomenon of acculturation through language is observed. The author considers in more detail the status of the state language both de jure and de facto, and also considers in detail the position of the most widespread foreign languages in the republic. The language reforms carried out in the Republic of Azerbaijan mainly serve to strengthen the role of the Azerbaijani language as the state language and have the character of linguistic purism. Despite the ongoing reforms in the field of strengthening the state language, we are also considering a balanced language policy with regard to other languages existing on the territory of the Republic of Azerbaijan, the purpose of which is to preserve linguistic pluralism.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"140 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140758558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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