Daria Rutkowska-Siuda, A. Pawłowska, Paulina Długosz
Ustawa z dnia 19 lipca 2019 r. o zapewnianiu dostępności osobom ze szczególnymi potrzebami otworzyła nową perspektywę działań nakierowanych na odbiorców o szczególnych potrzebach. Na wybranych działaniach grantowych i projektowych prowadzonych przez zespół naukowców z Uniwersytetu Łódzkiego oraz Muzeum Miasta Łodzi zarysowane zostaną możliwości płynące z dostępności architektonicznej, informacyjno-komunikacyjnej oraz cyfrowej, które stanowią przykłady dobrych praktyk w zakresie upowszechniania dóbr kultury. Zaprezentowane zostaną przedsięwzięcia związane z rewitalizacją i poprawą infrastruktury Muzeum Miasta Łodzi, niwelujące bariery architektoniczne i pozwalające na wprowadzenie nowej przestrzeni ekspozycyjnej z opracowanym do niej systemem informacyjno-komunikacyjny. Artykuł prezentuje zasadnicze koncepcje związane z projektem „Przyjazne miasto” (realizacja w latach 2021–2024), które poprzedzają doświadczenia nabyte przez pracowników UŁ w szeregu badań dotyczących sposobów wspierania osób z niepełnosprawnością wzroku prowadzonych od 2013 r. Niezwykle istotnym obszarem gromadzenia tych doświadczeń były działania podjęte w projekcie „Sztuka łódzka na tle sztuki europejskiej. Wykluczeni/Włączeni”. Rozliczne konsultacje z grupami osób z niepełnosprawnościami sensorycznymi oraz z kuratorami i edukatorami muzealnymi pozwoliły na wypracowanie dobrze odbieranej formy opisu audiodeskrypcyjnego. Opracowane narzędzia dydaktyczne takie jak tyflografiki, książki z pismem brajlowskim i powiększonym czarnodrukiem znacząco wpłynęły na wzrost kompetencji kluczowych odbiorców.
{"title":"Od „Sztuki łódzkiej” do „Przyjaznego miasta”. Dobre praktyki czy nowa jakość w zakresie upowszechniania dóbr kultury?","authors":"Daria Rutkowska-Siuda, A. Pawłowska, Paulina Długosz","doi":"10.35784/odk.2992","DOIUrl":"https://doi.org/10.35784/odk.2992","url":null,"abstract":"Ustawa z dnia 19 lipca 2019 r. o zapewnianiu dostępności osobom ze szczególnymi potrzebami otworzyła nową perspektywę działań nakierowanych na odbiorców o szczególnych potrzebach. Na wybranych działaniach grantowych i projektowych prowadzonych przez zespół naukowców z Uniwersytetu Łódzkiego oraz Muzeum Miasta Łodzi zarysowane zostaną możliwości płynące z dostępności architektonicznej, informacyjno-komunikacyjnej oraz cyfrowej, które stanowią przykłady dobrych praktyk w zakresie upowszechniania dóbr kultury. Zaprezentowane zostaną przedsięwzięcia związane z rewitalizacją i poprawą infrastruktury Muzeum Miasta Łodzi, niwelujące bariery architektoniczne i pozwalające na wprowadzenie nowej przestrzeni ekspozycyjnej z opracowanym do niej systemem informacyjno-komunikacyjny. Artykuł prezentuje zasadnicze koncepcje związane z projektem „Przyjazne miasto” (realizacja w latach 2021–2024), które poprzedzają doświadczenia nabyte przez pracowników UŁ w szeregu badań dotyczących sposobów wspierania osób z niepełnosprawnością wzroku prowadzonych od 2013 r. Niezwykle istotnym obszarem gromadzenia tych doświadczeń były działania podjęte w projekcie „Sztuka łódzka na tle sztuki europejskiej. Wykluczeni/Włączeni”. Rozliczne konsultacje z grupami osób z niepełnosprawnościami sensorycznymi oraz z kuratorami i edukatorami muzealnymi pozwoliły na wypracowanie dobrze odbieranej formy opisu audiodeskrypcyjnego. Opracowane narzędzia dydaktyczne takie jak tyflografiki, książki z pismem brajlowskim i powiększonym czarnodrukiem znacząco wpłynęły na wzrost kompetencji kluczowych odbiorców.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131729950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Since its establishment in the sixties, the standard setting texts produced by ICOMOS have become the most reputed, influential and distributed documents concerning cultural heritage protection worldwide. An examination of all ICOMOS charters and recommendations makes clear the indispensable role of this organisation to disseminating best conservation, restoration and management practices during the last sixty years. It also demonstrates its persistence to never give up to the countless pressures that challenge heritage preservation around the world. Tourism is undoubtedly one of the most important and global of these pressures due to its considerable influence at all levels of cultural heritage management and decision-making. This paper analyses the early, pioneer and crucial role of ICOMOS to promote responsible tourism through an evaluation of its international cultural tourism charters from 1976, when the first was adopted, until 2021, when the Advisory Council of the organisation has approved the ICOMOS Draft International Charter for Cultural Heritage Tourism (2021): Reinforcing cultural heritage protection and community resilience through responsible and sustainable tourism management for its adoption at the ICOMOS General Assembly in 2022. The long process for drafting and approving this Charter and its new conceptual approaches show the emerging trends affecting cultural heritage globally and allow reflecting more broadly about the future of standard setting texts on this subject.
{"title":"ICOMOS International Cultural Tourism Charters 1976-2021: evolution, contributions and trends in cultural heritage protection","authors":"Celia Martínez Yáñez","doi":"10.35784/odk.2825","DOIUrl":"https://doi.org/10.35784/odk.2825","url":null,"abstract":"Since its establishment in the sixties, the standard setting texts produced by ICOMOS have become the most reputed, influential and distributed documents concerning cultural heritage protection worldwide. An examination of all ICOMOS charters and recommendations makes clear the indispensable role of this organisation to disseminating best conservation, restoration and management practices during the last sixty years. It also demonstrates its persistence to never give up to the countless pressures that challenge heritage preservation around the world. Tourism is undoubtedly one of the most important and global of these pressures due to its considerable influence at all levels of cultural heritage management and decision-making. This paper analyses the early, pioneer and crucial role of ICOMOS to promote responsible tourism through an evaluation of its international cultural tourism charters from 1976, when the first was adopted, until 2021, when the Advisory Council of the organisation has approved the ICOMOS Draft International Charter for Cultural Heritage Tourism (2021): Reinforcing cultural heritage protection and community resilience through responsible and sustainable tourism management for its adoption at the ICOMOS General Assembly in 2022. The long process for drafting and approving this Charter and its new conceptual approaches show the emerging trends affecting cultural heritage globally and allow reflecting more broadly about the future of standard setting texts on this subject.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"66 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132773803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In England, accessibility to historic buildings falls under the Equality Act 2010, for which a key concept is the making of ‘reasonable adjustments’ to physical features of a building; this acknowledges that a blanket application of technical requirements would be detrimental to some historic buildings, and that equal access may not be achievable in every case. This paper approaches accessibility in historic buildings in England from two angles. The first is a consideration of two separate guidance documents, from Historic England and from the Church of England respectively; each document is outlined, offering points of comparison with guidance in other jurisdictions. One consistent theme in these documents is the positive framing of accessibility as of benefit not only for those with disabilities, but also for all users and potentially for the heritage itself. The second aspect of the paper comprises three case study projects from my own practice, spread across a range of building types, ages, and grades of protection, which together demonstrate by example some of what is currently considered possible in England, and illustrate how practice relates to policy and guidance. The paper ends by briefly reflecting on what light accessibility policy might shed on some broader questions of heritage concern.
{"title":"Improving Access to Historic Buildings: Some English Experience","authors":"Nigel Walter","doi":"10.35784/odk.2925","DOIUrl":"https://doi.org/10.35784/odk.2925","url":null,"abstract":"In England, accessibility to historic buildings falls under the Equality Act 2010, for which a key concept is the making of ‘reasonable adjustments’ to physical features of a building; this acknowledges that a blanket application of technical requirements would be detrimental to some historic buildings, and that equal access may not be achievable in every case. \u0000This paper approaches accessibility in historic buildings in England from two angles. The first is a consideration of two separate guidance documents, from Historic England and from the Church of England respectively; each document is outlined, offering points of comparison with guidance in other jurisdictions. One consistent theme in these documents is the positive framing of accessibility as of benefit not only for those with disabilities, but also for all users and potentially for the heritage itself. \u0000The second aspect of the paper comprises three case study projects from my own practice, spread across a range of building types, ages, and grades of protection, which together demonstrate by example some of what is currently considered possible in England, and illustrate how practice relates to policy and guidance. The paper ends by briefly reflecting on what light accessibility policy might shed on some broader questions of heritage concern.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123348441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper discusses the theoretical approach to accessibility and transition to the broader topic of inclusion, specifically referring to museums. The paper stresses the knowledge of audiences to include all of them and overcome the "dedicated" mediation tools and activities, aiming at (re)conquering disaffected and unused publics, and identifies some misunderstandings ("cultural accessibility" and "person with difficulties"). Constraints and opportunities in access to cultural content and communication are underlined: Authenticity and interpretation (message and messages, mistakenly considered as elaborations of the same content adapted to the target); interpretation as a hermeneutic circle involving different combinations of sender-receiver-context; Importance of the spatial context of communication as the first interpretative/mediation element; Process of accessibility to cultural contents (importance of the physical, social and economic context; role of cognitive processes; importance of the individual's cultural background; emotional involvement; references to recent neurophysiological research led by the authors). Authors intend Cultural accessibility as a self-appropriation process, both intellectual and emotional: exquisitely individual but closely interconnected with relations processes. Cultural appropriation intended in this way has nothing to do with a process of a political and social claim but, rather, it should be the ultimate goal of any action related to heritage communication. Finally, the paper highlights possible perspectives that require: dedicated professional paths; updated composition of the staff (the figure of architects-museographers as a permanent presence, since communication cannot be separated from the space in which it takes place); new good practices.
{"title":"Authenticity and interpretation for the personal appropriation of heritage in museums","authors":"M. Benente, Valeria Minucciani","doi":"10.35784/odk.2959","DOIUrl":"https://doi.org/10.35784/odk.2959","url":null,"abstract":"The paper discusses the theoretical approach to accessibility and transition to the broader topic of inclusion, specifically referring to museums. The paper stresses the knowledge of audiences to include all of them and overcome the \"dedicated\" mediation tools and activities, aiming at (re)conquering disaffected and unused publics, and identifies some misunderstandings (\"cultural accessibility\" and \"person with difficulties\"). \u0000Constraints and opportunities in access to cultural content and communication are underlined: Authenticity and interpretation (message and messages, mistakenly considered as elaborations of the same content adapted to the target); interpretation as a hermeneutic circle involving different combinations of sender-receiver-context; Importance of the spatial context of communication as the first interpretative/mediation element; Process of accessibility to cultural contents (importance of the physical, social and economic context; role of cognitive processes; importance of the individual's cultural background; emotional involvement; references to recent neurophysiological research led by the authors). \u0000Authors intend Cultural accessibility as a self-appropriation process, both intellectual and emotional: exquisitely individual but closely interconnected with relations processes. Cultural appropriation intended in this way has nothing to do with a process of a political and social claim but, rather, it should be the ultimate goal of any action related to heritage communication. \u0000Finally, the paper highlights possible perspectives that require: dedicated professional paths; updated composition of the staff (the figure of architects-museographers as a permanent presence, since communication cannot be separated from the space in which it takes place); new good practices.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132875206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Sacro Monte di Varallo (Sacro Monte of Varallo) is a natural reserve and religious place near Monte Rosa, Piedmont (Italy). Some of the greatest artists of the time worked there to create a representation of the places and events of Christ life with life-size statues and mural paintings, starting from the 15th century. The Conservation and Restoration Center 'La Venaria Reale' carried out a model conservation-restoration project focusing on the conservation of Chapel 1 (which represents the Original Sin). This project was developed as a case study efforts to properly communicate the conservation-restoration issued and the work carried out to different audiences. This initiative is part of a broader project, the Interreg Italy-Switzerland 'Main10ance', which aims to develop a sustainable conservation program for the UNESCO Sacro Montes. Communication was carried out on several levels, based on the interest of visitors, through the following avenues:1 - explanatory panels near Chapel 1;2 – explanatory tours with conservators and other professionals;3 – creation of website with information, insights and news dedicated to the work in progress.To create a more effective and engaging communication, information relating to visitors was collected. The public was grouped according to different characteristics in three public targets: Children; Adult; and Blind people. For each, a reference guidelines and a specific narrative was developed:• to involve children it was decided to use games;• to address adults, it was decided to focus the discussion on the frequently asked questions posed by visitors;• to bring the blind public closer, an evocative visit was proposed. Mock-ups were prepared to give the possibility to touch them, in order to make people understand the difference between surface in good condition and in degraded state.
{"title":"Communicating a conservation-restoration project: The case of Chapel of ‘the original sin’ at the Sacro Monte di Varallo","authors":"Greta Acuto","doi":"10.35784/odk.2943","DOIUrl":"https://doi.org/10.35784/odk.2943","url":null,"abstract":"The Sacro Monte di Varallo (Sacro Monte of Varallo) is a natural reserve and religious place near Monte Rosa, Piedmont (Italy). Some of the greatest artists of the time worked there to create a representation of the places and events of Christ life with life-size statues and mural paintings, starting from the 15th century. \u0000The Conservation and Restoration Center 'La Venaria Reale' carried out a model conservation-restoration project focusing on the conservation of Chapel 1 (which represents the Original Sin). This project was developed as a case study efforts to properly communicate the conservation-restoration issued and the work carried out to different audiences. This initiative is part of a broader project, the Interreg Italy-Switzerland 'Main10ance', which aims to develop a sustainable conservation program for the UNESCO Sacro Montes. Communication was carried out on several levels, based on the interest of visitors, through the following avenues:1 - explanatory panels near Chapel 1;2 – explanatory tours with conservators and other professionals;3 – creation of website with information, insights and news dedicated to the work in progress.To create a more effective and engaging communication, information relating to visitors was collected. The public was grouped according to different characteristics in three public targets: Children; Adult; and Blind people. For each, a reference guidelines and a specific narrative was developed:• to involve children it was decided to use games;• to address adults, it was decided to focus the discussion on the frequently asked questions posed by visitors;• to bring the blind public closer, an evocative visit was proposed. Mock-ups were prepared to give the possibility to touch them, in order to make people understand the difference between surface in good condition and in degraded state.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124874728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Obowiązująca Ustawa z dnia 19 lipca 2019 r. o zapewnianiu dostępności osobom ze szczególnymi potrzebami zawiera formułuje wymagania dotyczące wszystkich budynków, bez zróżnicowania ich pod względem wartości zabytkowych. Celem tekstu jest zwrócenie uwagi na problem niespójności między wymaganiami zawartymi w Ustawie, a współczesnymi zasadami ochrony zabytków. Przyjęty w tekście, ogólny podział budynków zabytkowych pod względem ich podatności na usuwanie barier skonfrontowano z przykładem Zamku Wysokiego w Malborku, stanowiącego część kompleksu zamkowego (Muzeum Zamkowego w Malborku), wpisanego na listę dziedzictwa światowego UNESCO
{"title":"Teoria konserwatorska a dostępność zabytków /na przykładzie Zamku Wysokiego w Malborku/","authors":"A. Kowalska, Grzegorz Bukal","doi":"10.35784/odk.2988","DOIUrl":"https://doi.org/10.35784/odk.2988","url":null,"abstract":"Obowiązująca Ustawa z dnia 19 lipca 2019 r. o zapewnianiu dostępności osobom ze szczególnymi potrzebami zawiera formułuje wymagania dotyczące wszystkich budynków, bez zróżnicowania ich pod względem wartości zabytkowych. Celem tekstu jest zwrócenie uwagi na problem niespójności między wymaganiami zawartymi w Ustawie, a współczesnymi zasadami ochrony zabytków. Przyjęty w tekście, ogólny podział budynków zabytkowych pod względem ich podatności na usuwanie barier skonfrontowano z przykładem Zamku Wysokiego w Malborku, stanowiącego część kompleksu zamkowego (Muzeum Zamkowego w Malborku), wpisanego na listę dziedzictwa światowego UNESCO","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134344045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper is devoted to the problem of providing people with mobility impairments, in wheelchairs, with crutches and the elderly, with access to monumental buildings located in the historic public space. The authors present current technical and construction regulations concerning passageway infrastructure and the needs that result from limitations in people with mobility impairments. Proposals for solutions to improve accessibility were also presented in a graphic form, making it easier to understand the intent of the proposed solution and showing examples of already applied solutions. The paper addresses the problem of adaptation of sidewalks, parking spaces and entrances to buildings to the needs of such people while maintaining the recommendations on issues arising from the protection of cultural heritage, conservation recommendations and the historical nature of the space around monuments. The authors of this paper have been working for years on the subject of accessibility of public space for people with disabilities, based on their own experience as a wheelchair user. This article should serve as a prompt for historic site administrators on how, with minimal intervention, accessibility to historic sites can be improved and how to enable people with special needs to enjoy cultural assets.
{"title":"Selected aspects of ensuring accessibility of historical buildings for people with mobility impairments","authors":"Barbara Rymsza, Krzysztof Kaperczak","doi":"10.35784/odk.2976","DOIUrl":"https://doi.org/10.35784/odk.2976","url":null,"abstract":"The paper is devoted to the problem of providing people with mobility impairments, in wheelchairs, with crutches and the elderly, with access to monumental buildings located in the historic public space. \u0000The authors present current technical and construction regulations concerning passageway infrastructure and the needs that result from limitations in people with mobility impairments. \u0000Proposals for solutions to improve accessibility were also presented in a graphic form, making it easier to understand the intent of the proposed solution and showing examples of already applied solutions. \u0000The paper addresses the problem of adaptation of sidewalks, parking spaces and entrances to buildings to the needs of such people while maintaining the recommendations on issues arising from the protection of cultural heritage, conservation recommendations and the historical nature of the space around monuments. \u0000The authors of this paper have been working for years on the subject of accessibility of public space for people with disabilities, based on their own experience as a wheelchair user. \u0000This article should serve as a prompt for historic site administrators on how, with minimal intervention, accessibility to historic sites can be improved and how to enable people with special needs to enjoy cultural assets.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115376090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Museums are repositories of culture, knowledge, and values that everyone should be able to have access to. To this end, specific attention should be paid to the issue of disability when designing or operating such facilities. Despite an increased awareness, many designers still lack a full understanding of the complexity of people's needs and the topic of inclusion. Through an excursus of the evolving concept of diversity and how design can provide an enabling or disabling built environment, this paper aims at setting the cognitive framework to address the issue of broader fruition in museum spaces. Particularly, the focus of this contribution is on the European context, its historical cities and cultural heritage. Therefore, the needs of inclusion must be balanced with those of conservation, adding an extra layer of complexity. The museum will then be examined from an inclusive perspective, highlighting the issues to be addressed and providing some suggestions on the tools available to overcome them and grant everyone access to culture.
{"title":"Inclusive design strategies for museums. Targets and remarks for wider access to culture","authors":"S. Marconcini","doi":"10.35784/odk.3046","DOIUrl":"https://doi.org/10.35784/odk.3046","url":null,"abstract":"Museums are repositories of culture, knowledge, and values that everyone should be able to have access to. To this end, specific attention should be paid to the issue of disability when designing or operating such facilities. Despite an increased awareness, many designers still lack a full understanding of the complexity of people's needs and the topic of inclusion. Through an excursus of the evolving concept of diversity and how design can provide an enabling or disabling built environment, this paper aims at setting the cognitive framework to address the issue of broader fruition in museum spaces. Particularly, the focus of this contribution is on the European context, its historical cities and cultural heritage. Therefore, the needs of inclusion must be balanced with those of conservation, adding an extra layer of complexity. The museum will then be examined from an inclusive perspective, highlighting the issues to be addressed and providing some suggestions on the tools available to overcome them and grant everyone access to culture.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121947253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
"World Heritage for Building Peace" by the Fondazione Romualdo Del Bianco’s "Life Beyond Tourism Movement" is the title of the 2019 Appeal that marks the conclusion of a research presented in the Krakow International Cultural Centre the 26 May 2006. By the Life Beyond Tourism Movement: World Heritage Sites takes on the responsibility of "Awareness Centers” to widespread a new sensitivity and a consequent new cultural and commercial offer with different ethic; World Heritage Sites’ management not only protects and enhances the heritage, but favors the 'International Community' encouraging the world-wide exercise of intercultural dialogue between visitors in the same place, same time, same aptitude to listening, promoting a virtuosos synergy between the UNESCO Conventions 1972, 2003, 2005; World Heritage Sites could experiment the post-pandemic reverse of the hitherto prevalent degrade of the travel experience. This new cultural and commercial offer relies upon world scale 'knowledge initiatives', transforming the hasty tourist into a ‘Temporary Resident’ induced to a deep knowledge of the place, its wonders, culture, traditions, thus favoring friendship, mutual respect and peace.
{"title":"World Heritage for Building Peace","authors":"Paolo Del Bianco","doi":"10.35784/odk.2783","DOIUrl":"https://doi.org/10.35784/odk.2783","url":null,"abstract":"\"World Heritage for Building Peace\" by the Fondazione Romualdo Del Bianco’s \"Life Beyond Tourism Movement\" is the title of the 2019 Appeal that marks the conclusion of a research presented in the Krakow International Cultural Centre the 26 May 2006. By the Life Beyond Tourism Movement: World Heritage Sites takes on the responsibility of \"Awareness Centers” to widespread a new sensitivity and a consequent new cultural and commercial offer with different ethic; World Heritage Sites’ management not only protects and enhances the heritage, but favors the 'International Community' encouraging the world-wide exercise of intercultural dialogue between visitors in the same place, same time, same aptitude to listening, promoting a virtuosos synergy between the UNESCO Conventions 1972, 2003, 2005; World Heritage Sites could experiment the post-pandemic reverse of the hitherto prevalent degrade of the travel experience. This new cultural and commercial offer relies upon world scale 'knowledge initiatives', transforming the hasty tourist into a ‘Temporary Resident’ induced to a deep knowledge of the place, its wonders, culture, traditions, thus favoring friendship, mutual respect and peace.","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131036869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Proceedings of the First International Congress of Architects and Technicians of Historic Monuments, which took place in Athens, from 21 to 30 October 1931, were published in the volume entitled La Conservation des Monuments d’art et d’histoire // The Conservation of artistic and historical Monuments; a volume that represents a fundamental document to improve knowledge on the different aspects of conservation and restoration in Europe in the period between the two World Wars (1918-1940). Thus, it seems appropriate to reexamine the main contributions, which in that occasion were given by prominent European Scholars, also in order to glean useful indications for carrying out conservation, which, today more than ever, is needed to protect architectural and environmental heritage. Firstly, it should be recalled that the ‘Congress of Athens’ constitutes an important pro-Europe initiative; it was, indeed, promoted by the International Museum Office of the ‘International Institute of Intellectual Co-operation, a body belonging to the ‘League of Nations International’, to whose Assembly the congressional conclusions were in fact submitted. Another aspect to highlight concerns how the congress works were articulated; it demonstrates the acquired awareness of how it is possible to carry out monument conservation operating based on ‘General doctrines and principles’ (I section) through the juridical and administrative protection, considered as ‘logical deductions from doctrines and principles’ (II section), on one hand, and ‘technical tools’ (IV, V, VI section), on the other, with restoration undertaking to enhance monuments (III section).
{"title":"The Congress of Athens of 1931: Methodological and Technical Contributions for the Conservation of Architectural and Environmental Heritage","authors":"R. Genovese","doi":"10.35784/odk.2786","DOIUrl":"https://doi.org/10.35784/odk.2786","url":null,"abstract":"The Proceedings of the First International Congress of Architects and Technicians of Historic Monuments, which took place in Athens, from 21 to 30 October 1931, were published in the volume entitled La Conservation des Monuments d’art et d’histoire // The Conservation of artistic and historical Monuments; a volume that represents a fundamental document to improve knowledge on the different aspects of conservation and restoration in Europe in the period between the two World Wars (1918-1940). Thus, it seems appropriate to reexamine the main contributions, which in that occasion were given by prominent European Scholars, also in order to glean useful indications for carrying out conservation, which, today more than ever, is needed to protect architectural and environmental heritage. \u0000Firstly, it should be recalled that the ‘Congress of Athens’ constitutes an important pro-Europe initiative; it was, indeed, promoted by the International Museum Office of the ‘International Institute of Intellectual Co-operation, a body belonging to the ‘League of Nations International’, to whose Assembly the congressional conclusions were in fact submitted. \u0000Another aspect to highlight concerns how the congress works were articulated; it demonstrates the acquired awareness of how it is possible to carry out monument conservation operating based on ‘General doctrines and principles’ (I section) through the juridical and administrative protection, considered as ‘logical deductions from doctrines and principles’ (II section), on one hand, and ‘technical tools’ (IV, V, VI section), on the other, with restoration undertaking to enhance monuments (III section).","PeriodicalId":273645,"journal":{"name":"Protection of Cultural Heritage","volume":"112 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129090069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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